A work in constant progress (and occasional regress).
Release Date:
June 15, 2012
Original Title:
Top Priority: The Terror Within
Genres:
Action | Crime | Documentary | Drama | History
Production Companies:
Fleur De Lis Film Studios
Production Countries:
Mexico | United States of America
Ratings / Certifications:
N/A
Runtime: 114
Federal officer with the Department of Homeland Security discovers a national security breach related to the entry of 23 aliens from terrorist countries into the United States. Customs and Border Protection Commissioner, former head of the DEA Robert Bonner can't afford any more media scrutiny, since his incompetence was already exposed in the NASA 'Challenger' disaster. To avoid the scandal, the full might of the government is unleashed against Julia Davis, her family and witnesses. This retaliation reaches an unprecedented magnitude, including four unexplained deaths, Hollywood and the Mafia, false imprisonments and the use of Blackhawk helicopters and airplanes for warrantless surveillance. Amidst many shocking revelations, this documentary provides a new insight into the deaths of well-known Hollywood figures unwittingly dragged into this scandal. The truth is no longer a secret.
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Associate Producer:
Chris Fishel
Co-Producer:
Lindsay Hudson
Director:
Asif Akbar
Director of Photography:
Asif Akbar
Editorial Staff:
Clint Brenner
Executive Producer:
Raquel Diaz
Eva Choina
Music:
Cleveland Bledsoe, Jr.
Music Co-Supervisor:
Winston Moore
Producer:
Julia Davis
BJ Davis
John D. Schofield
Production Accountant:
Eva Choina
Production Assistant:
TJ Poole
Miranda Davis
Reilly Davis
Production Coordinator:
Sphere Collins
Public Relations:
Phoebe Gallegher
Publicist:
Clint Morris
Second Unit Cinematographer:
Julia Davis
Sound:
Kenneth L. Johnson
Story:
Julia Davis
BJ Davis
Transportation Captain:
Michael Burnette
Unit Production Manager:
Manuel Ruiz-Flores
Writer:
Julia Davis
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.