A work in constant progress (and occasional regress).
Release Date:
November 14, 2001
Original Title:
The Wash
Alternate Titles:
Balhé a mosodában
Confusões No Lava-Jato
Mä ja mun pomo
The Wash: Hiphopowa myjnia
Мойка
ザ・ウォッシュ
Genres:
Action | Comedy
Production Companies:
Lionsgate
Lithium Entertainment Group
Production Countries:
United States of America
Ratings / Certifications:
BR: 12 DE: 12 FR: 12 HU: 16 US: R
Runtime: 96
With the rent due and his car booted, Sean has to come up with some ends...and fast. When his best buddy and roommate Dee Loc, suggests that Sean get a job busting suds down at the local car wash.
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Art Direction:
Steve Ralph
Assistant Camera:
Alfredo Rosado
Greg Gayne
Randy Whitlock
Assistant Director:
Richard Gonzales
Assistant Editor:
Scott Arundale
Assistant Makeup Artist:
Denise Pugh-Ruiz
Assistant Property Master:
William Proctor
Assistant Sound Editor:
Hugh Murphy
Associate Producer:
Donna Chavous
Boom Operator:
Javier M. Hernández
Camera Operator:
Robin Melhuish
Casting:
Monica R. Cooper
Casting Associate:
Michelle Adams
Shawnae D. Muck
Cinematography:
Keith L. Smith
Co-Producer:
Jeremiah Samuels
Color Timer:
Mike Mertens
Costume Design:
Tracey White
Dialogue Editor:
Paul Longstaffe
Edmund J. Lachmann
Director:
DJ Pooh
Dolly Grip:
Ross Addiego
Kennith G. Smith
Editor:
Jack Hofstra
Electrician:
Daniel A Hernandez
Ian Jordan
Executive Producer:
Snoop Dogg
Kip Konwiser
Tom Ortenberg
Michael Paseornek
Dr. Dre
First Assistant Director:
Don Wilkerson
First Assistant Director Trainee:
Craig Amendola
Gaffer:
Dale Obert
Sidney Brisco
Grip:
Jason Lee Smith
Hairstylist:
Camille Friend
Felicia Herron
Sheila Cyphers-Leake
Bruce Law
Key Costumer:
Melissa LaCombe
Key Makeup Artist:
Merc Arceneaux
Leadman:
Ryan Bear
Main Title Designer:
Reid Paul
Makeup Artist:
Kokeeta Douglas
Angela Johnson
Tysuela Hill-Scott
Marlene Mason
Music Editor:
Rick Aoyama
Music Producer:
Timbaland
Music Supervisor:
Joel C. High
On Set Dresser:
Derrick Hinman
Original Music Composer:
Camara Kambon
Post Production Accountant:
Emily Rice
Post Production Coordinator:
Frank Moshier
Post Production Supervisor:
Carl Pedregal
Producer:
DJ Pooh
Rick Freeman
Philip G. Atwell
Production Design:
Albert Cuellar
Production Manager:
Curtis A. Miller
Property Master:
Jimmie Herron Jr.
Rigging Gaffer:
Renaldo Jackson
Scoring Mixer:
Brad Haehnel
Second Assistant Director:
Ime Etuk
Paul Byrne Prenderville
Security:
Klaus Price
Mark Rapmund
Set Decoration:
Jennifer Joos
Sound Editor:
Sarah Payan
Frederick Howard
Sound Effects Editor:
Perry Robertson
Sound Mixer:
Stephen Halbert
Sound Re-Recording Mixer:
Joe Earle
Jim Fitzpatrick
Drew Webster
Special Effects:
Al Magliochetti
Special Effects Coordinator:
Dennis Petersen
Still Photographer:
Lynn Elston
Stunt Coordinator:
Rusty McClennon
Supervising Sound Editor:
Kenneth L. Johnson
Glenn T. Morgan
Unit Production Manager:
Jeremiah Samuels
Utility Sound:
Juan Cisneros
Writer:
DJ Pooh
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.