A work in constant progress (and occasional regress).
Additional Camera:
2010 The Four Times
Camera Operator:
1995 The Killer Wore Yellow Shoes
1996 August Vacation
2003 Just Married
2007 The Mother of Tears
2010 The Four Times
2011 Eroi per caso
2018 Capri-Revolution
2018 Lucia's Grace
2018 There's No Place Like Home
2019 Copperman
2020 The Best Years
2021 My Body Will Bury You
Director of Photography:
1995 The Killer Wore Yellow Shoes
1996 August Vacation
1997 Partigiani
2003 Just Married
2007 The Mother of Tears
2010 The Four Times
2011 Eroi per caso
2018 Capri-Revolution
2018 Lucia's Grace
2018 There's No Place Like Home
2019 Copperman
2020 The Best Years
2021 My Body Will Bury You
Steadicam Operator:
1990 The Mask of Satan
1991 The Sect
1993 Sud
1993 The Blonde
1994 Genesis: The Creation and the Flood
1994 With Closed Eyes
1995 Cutthroat Island
1995 The Killer Wore Yellow Shoes
1995 The Star Maker
1996 A Walk in Time
1996 August Vacation
1996 Squillo
1996 Vesna Goes Fast
1997 Nirvana
1997 Partigiani
1999 Kisses and Hugs
2000 Malena
2001 Sleepless
2003 I'm Not Scared
2003 Just Married
2003 Ma che colpa abbiamo noi
2003 The Best of Youth
2004 Exorcist: The Beginning
2004 The Spectator
2005 I Love You in Every Language in the World
2006 Giovanni Falcone - L'uomo che sfidò Cosa Nostra
2006 Olé
2007 2061 - Un anno eccezionale
2007 The Mother of Tears
2008 Quiet Chaos
2010 The Four Times
2011 Eroi per caso
2018 Capri-Revolution
2018 Lucia's Grace
2018 There's No Place Like Home
2019 Copperman
2020 The Best Years
2021 My Body Will Bury You
Camera Operator:
2009 The Monster of Florence
2023 The General's Men
Steadicam Operator:
2009 The Monster of Florence
2023 The General's Men
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.