A work in constant progress (and occasional regress).
Release Date:
June 1, 1990
Original Title:
La maschera del demonio
Alternate Titles:
Demons 5
Demons 5: The Devil's Veil
Demonzu 5
La máscara del demonio
Le masque de Satan
Sabbath: The Mask of Satan
Genres:
Horror | TV Movie
Production Companies:
ANFRI S.r.l.
Beta Film
RTP
Reteitalia
SFP
Silvio Berlusconi Communications
TVE
Production Countries:
France | Germany | Italy | Portugal | Spain
Ratings / Certifications:
N/A
Runtime: 94
Skiers in Northern Italy unwittingly awaken an ancient witch after removing her mask in a crevasse. Their actions unleash a curse, leading to terrifying consequences.
Animatronic and Prosthetic Effects:
Sergio Stivaletti
Assistant Director:
Silvia Innocenzi
Assistant Editor:
Raffaella Morotti
Assistant Production Design:
Alessandra Pierini
Eugenio Ulissi
Boom Operator:
Carlo Maria Brusco
Camera Operator:
Giancarlo Battaglia
Elena Ucropina
Color Timer:
Pasquale Cuzzupoli
Costume Design:
Katia Dottori
Dialogue Editor:
Fiamma Maglione
Director:
Lamberto Bava
Director of Photography:
Gianfranco Transunto
Editor:
Piero Bozza
Electrician:
Rodolfo Flibotti
Enrico Morgia
Francesco Rachini
Maurizio Rachini
First Assistant Editor:
Sante Discepoli
Grip:
Massimo Lombardi
Gianfranco Perugini
Claudio Ricci
Hairstylist:
Piero Cucchi
Key Grip:
Roberto Esposti
Line Producer:
Antonio Cardenal
Makeup Artist:
Laura Borselli
Franco Casagni
Sara Del Zoppo
Music:
Simon Boswell
Novel:
Nikolai Gogol
Producer:
Lamberto Bava
Andrea Piazzesi
Production Designer:
Davide Bassan
Giuseppe Mangano
Production Manager:
Giorgio Russo
Production Supervisor:
Alberto Brusco
Propmaker:
Lionello Fantacci
Ubaldo Panunzi
Screenplay:
Massimo De Rita
Giorgio Stegani
Seamstress:
Stella Battista
Second Assistant Director:
Antonio Lusci
Sound:
Stefano Bausano
Sound Mixer:
Romano Checcacci
Special Effects:
Sesto Burgalossi
Steadicam Operator:
Giovanni Gebbia
Still Photographer:
Giovanni Leacche
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At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.