A work in constant progress (and occasional regress).
Release Date:
October 26, 2007
Original Title:
2061 - Un anno eccezionale
Genres:
Comedy | Science Fiction
Production Companies:
International Video 80
RAI Cinema
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 100
In a post-apocalyptic future, the Italian peninsula is going through a dark moment due to a terrible energy crisis.
Assistant Editor:
Marco Broglio
Assistant Production Design:
Giovanna Cirianni
Boom Operator:
Vincenzo Nardi
Camera Operator:
Ernesto Natoli
Casting:
Marita D'Elia
Costume Design:
Nicoletta Ercole
Delegated Producer:
Roberto Moscatello
Director:
Carlo Vanzina
Director of Photography:
Claudio Zamarion
Editor:
Raimondo Crociani
First Assistant Camera:
Alfonso Vicari
First Assistant Director:
Giorgio Melidoni
Gaffer:
Massimo Cecchini
Hair Department Head:
Giorgio Gregorini
Hair Supervisor:
Aldo Signoretti
Hairstylist:
Luca Vannella
Peter Nicastro
Key Grip:
Gianpaolo Majorana
Line Producer:
Riccardo Cardarelli
Makeup Artist:
Federico Laurenti
Matteo Silvi
Makeup Department Head:
Luigi Ciminelli
Original Music Composer:
Federico De Robertis
Producer:
Enrico Vanzina
Production Coordinator:
Claudia Moscatello
Production Design:
Luca Merlini
Production Manager:
Thomas Tyler
Property Master:
Daniele Bignami
Screenplay:
Carlo Vanzina
Enrico Vanzina
Diego Abatantuono
Script Supervisor:
Paola Mengoni
Second Assistant Camera:
Andrea Valacchi
Second Assistant Director:
Luigi Russo
Matteo Vicario
Set Decoration:
Alessia Anfuso
Sound:
Antonio Barba
Sound Editor:
Claudio Spinelli
Sound Mixer:
Danilo Moroni
Steadicam Operator:
Giovanni Gebbia
Still Photographer:
Emilio Lari
Story:
Carlo Vanzina
Enrico Vanzina
Stunt Coordinator:
Alessandro Novelli
Unit Manager:
Gianluca Ottone
VFX Supervisor:
Mauro Maccari
Visual Effects Producer:
Pierfrancesco Fiorenza
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.