A work in constant progress (and occasional regress).
Release Date:
November 22, 2018
Original Title:
Troppa grazia
Alternate Titles:
Ha'Khesed shel Lucia
La gracia de Lucía
Lucia Cheia de Graça
Lucia látomásai
Nadmiar łaski
ルチアの恩寵
Genres:
Comedy | Drama
Production Companies:
Oplon Film
Pupkin Production
RAI Cinema
Smallfish Spain
Strada Films
Production Countries:
Greece | Italy | Spain
Ratings / Certifications:
ES: APTA HU: 12
Runtime: 104
During the evaluation of a plot of land, surveyor and distressed single mother Lucia meets a woman who claims to be the Virgin Mary.
Assistant Camera:
Peter Zuffa
Tiziano Saraca
Assistant Editor:
Elsa de Falco Bonomi
Assistant Production Design:
Ilaria Fallacara
Camera Operator:
Giovanni Gebbia
Alessandro Gentili
Casting:
Stefania Valestro
Colorist:
Sergio Cremasco
Costume Design:
Olivia Bellini
Director:
Gianni Zanasi
Director of Photography:
Vladan Radović
Editor:
Rita Rognoni
Gianni Zanasi
First Assistant Director:
Vincenzo Rosa
Gaffer:
Fabio Scepi
Hair Department Head:
Sefora Loprete
Key Grip:
Fabio Fumelli
Line Producer:
Attilio Moro
Location Manager:
Carlo Brocanelli
Makeup Department Head:
Valentina Iannuccilli
Original Music Composer:
Niccolò Contessa
Producer:
Beppe Caschetto
Rita Rognoni
Production Coordinator:
Tea Cappiello
Production Design:
Massimiliano Sturiale
Production Manager:
Andrea Tavani
Screenplay:
Gianni Zanasi
Giacomo Ciarrapico
Michele Pellegrini
Federica Pontremoli
Script Supervisor:
Laura Biagiotti
Second Assistant Director:
Daniele Fabrizi
Vittoria Cimarra
Set Decoration:
Adriano Cattaneo
Sound:
Stefano Campus
Sound Editor:
Mimmo Granata
Sound Mixer:
Alberto Bernardi
Story:
Gianni Zanasi
Stunt Coordinator:
Giampiero Comanducci
Unit Manager:
Rossella Tarantino
Visual Effects Supervisor:
Massimo Cipollina
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.