A work in constant progress (and occasional regress).
Alias:
Edouard Serra
Eduardo Martins Serra
Birthplace:
Lisboa, Portugal
Born:
October 2, 1943
Eduardo Martins Serra (born 2 October 1943) is a Portuguese cinematographer who has spent most of his career working in European film productions, mostly in French, Portuguese and British films, with frequent collaborations with directors Patrice Leconte and Claude Chabrol. Serra is best known for his work on the M. Night Shyamalan film, Unbreakable and the final two Harry Potter films, Harry Potter and the Deathly Hallows – Part 1 and Harry Potter and the Deathly Hallows – Part 2 both directed by David Yates From 1960 to 1963, Serra studied engineering at Lisbon's Instituto Superior Técnico, but he had to leave the country after his involvement in students' protests against Salazar's dictatorship. He settled in France, where he was accepted to Vaugirard film school in Paris; he graduated in 1966. In 1970 he got his second degree from the Paris-Sorbonne University, in Art History and Archeology. Serra has twice been nominated for the Academy Award for Best Cinematography. His first nomination was for his work on The Wings of the Dove (1997), for which he also won a BAFTA. He received his second Academy Award and BAFTA nominations for Girl with a Pearl Earring. In 2004, Serra received the Ordem do Infante D. Henrique, a civilian award presented for services to Portuguese culture, from President Jorge Sampaio. Source: Article "Eduardo Serra" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Assistant Camera:
1977 Solemn Communion
Camera Operator:
1973 Living Together
1976 Black and White in Color
1977 Solemn Communion
1980 The Lady Banker
Director of Photography:
1973 Living Together
1976 Black and White in Color
1977 Solemn Communion
1980 The Lady Banker
1983 No Trace of Sin
1983 Side Roads
1984 Marche à l'ombre
1984 Pinot simple-flic
1984 The Bodyguard
1985 Terrorists in Retirement
1985 The Specialists
1988 Tropical Snow
1988 Your Neighbour's Wife
1990 The Hairdresser's Husband
1990 The King's Trial
1991 Lapse of Memory
1993 Amor e Dedinhos de Pé
1993 Map of the Human Heart
1993 Tango
1994 Dead Tired
1994 The Perfume of Yvonne
1995 Funny Bones
1995 L'Amour conjugal
1996 Jude
1996 The Jew
1997 The Disappearance of Finbar
1997 The Swindle
1997 The Wings of the Dove
1998 What Dreams May Come
1999 The Color of Lies
2000 Passion of Mind
2000 The Widow of Saint-Pierre
2000 Unbreakable
2002 Love Street
2002 O Delfim
2003 Girl with a Pearl Earring
2003 The Flower of Evil
2004 Beyond the Sea
2004 The Bridesmaid
2005 Never Say... Never!
2006 Blood Diamond
2006 Comedy of Power
2007 A Girl Cut in Two
2007 Fados
2008 Defiance
2009 Bellamy
2010 Harry Potter and the Deathly Hallows: Part 1
2011 Harry Potter and the Deathly Hallows: Part 2
2012 A Therapy
2012 Belle du Seigneur
2013 A Promise
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.