A work in constant progress (and occasional regress).
Release Date:
September 20, 1995
Original Title:
Funny Bones
Genres:
Comedy
Production Companies:
Hollywood Pictures
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 128
Tommy Fawkes wants to be a successful comedian. After his Las Vegas debut is a failure, he returns to Blackpool where his father—also a comedian—started, and where he spent the summers of his childhood.
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ADR Editor:
Keith Lowes
Art Department Assistant:
Sally Gray
Art Direction:
Andrew Munro
Assistant Accountant:
Sheala Daniell
Sophie Dasic
Assistant Art Director:
Luana Hanson
Grant Armstrong
Assistant Costume Designer:
Debbie Scott
Assistant Editor:
Julian Pryce
Assistant Location Manager:
Angus Smith
Assistant Sound Editor:
Norman A. Cole
Timothy Vine
Associate Producer:
Peter McMillan
Best Boy Electric:
Billy Merrell
Camera Loader:
Mike Roberts
Camera Trainee:
Barney Davis
Casting:
Janey Fothergill
Maggie Lunn
Mary Gail Artz
Kate Dowd
Barbara Cohen
Choreographer:
Cristina Avery
Clapper Loader:
Paddy Kiely
Co-Producer:
Laurie Borg
Construction Manager:
Steve Ede
Costume Design:
Lindy Hemming
Costume Supervisor:
John Scott
Dialogue Coach:
Joan Washington
Dialogue Editor:
Peter Elliott
Director:
Peter Chelsom
Director of Photography:
Eduardo Serra
Dressing Prop:
Piero Jamieson
Martin Harrison
Ian Shubrook
Editor:
Martin Walsh
Electrician:
Mark 'Rocky' Evans
Stephen Finch
Darren Grosch
Fred Brown
Executive Producer:
Nicholas Frye
First Assistant Director:
Michael Zimbrich
First Assistant Editor:
Steven Maguire
Focus Puller:
Simon Hume
Foley Artist:
Diane Greaves
Jack Stew
Foley Editor:
Peter Holt
Gaffer:
Chuck Finch
Hairstylist:
Tracy Smith
Key Hair Stylist:
Stephen Rose
Key Makeup Artist:
Pat Hay
Location Manager:
Tony Clarkson
Makeup Artist:
Yvonne Coppard
Helen Johnson
Music Editor:
Dina Eaton
Negative Cutter:
Sylvia Wheeler
Original Music Composer:
John Altman
Producer:
Peter Chelsom
Simon Fields
Producer's Assistant:
Francesca Castellano
Clare Awdry
Production Accountant:
Maggie Phelan
Production Coordinator:
Tania Blunden
Production Design:
Caroline Hanania
Property Buyer:
Trisha Edwards
Property Master:
Gordon Fitzgerald
Script Supervisor:
June McDonald
Second Assistant Director:
Cliff Lanning
Andrew Wood
Set Decoration:
Tracey Gallacher
Sound Assistant:
Mike Trussler
Sound Mixer:
Peter Lindsay
Special Effects Supervisor:
Tom Harris
Special Effects Technician:
John Fontana
David Myatt
Paul Kelly
Standby Carpenter:
Tony Musk
Still Photographer:
Alex Bailey
Stunt Coordinator:
Simon Crane
Stunt Double:
Sean McCabe
Vincent Keane
Mark Henson
Stunts:
David Cronnelly
Valentino Musetti
Supervising Carpenter:
Tom Davies
Supervising Sound Editor:
Glenn Freemantle
Third Assistant Director:
Robert Grayson
Underwater Camera:
Mike Valentine
Wardrobe Assistant:
Nigel Egerton
Clare Spragge
Writer:
Peter Chelsom
Peter Flannery
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.