A work in constant progress (and occasional regress).
Release Date:
October 2, 1998
Original Title:
What Dreams May Come
Alternate Titles:
Al di là dei sogni
Amor alem da Vida
Hinter dem Horizont - Das Ende ist nur der Anfang
Mas Alla De Los Sueños
Między Piekłem a Niebem
Más allá de los sueños
Де живуть мрії
رویاها چه می شوند
美夢成真
飛越來仕緣
Genres:
Drama | Fantasy | Romance
Production Companies:
Interscope Communications
Metafilmics
PolyGram Filmed Entertainment
Production Countries:
United States of America
Ratings / Certifications:
AU: M BE: 16 BR: 14 CH: 12 CZ: 12+ DE: 12 ES: 12 FR: TP GB: 15 GR: 13 HU: 16 IE: 15 IT: T NL: 12 PL: od 12 lat PT: M/12 US: PG-13|R
Runtime: 113
Chris Nielsen dies to find himself in a heaven more amazing than he could have ever dreamed of. There is one thing missing: his wife. After he dies, his wife Annie killed herself and went to hell. Chris decides to risk eternity in Hades for the small chance that he will be able to bring her back to heaven.
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3D Artist:
Matthew E. Butler
3D Supervisor:
Mike Schmitt
ADR Editor:
Mary Ruth Smith
Simon Coke
Constance A. Kazmer
Laura Graham
ADR Mixer:
Dean Drabin
David Novack
ADR Supervisor:
Jessica Gallavan
Chris Jargo
Additional Casting:
Kris Nicolau
Art Department Production Assistant:
Patricio M. Farrell
Art Direction:
Christian Wintter
Assistant Location Manager:
Michael Pew
Assistant Production Coordinator:
Maureen Stanton-Leveque
Assistant Sound Editor:
Thomas O'Neil Younkman
Boom Operator:
Stephen Balliet
Scott Kinzey
Fred Runner
CG Artist:
Keith Kolder
Seth Lippman
Sandra Germain
CG Supervisor:
Peter G. Travers
Scott Gordon
Karen Ansel
Camera Loader:
Anne Lee
Camera Operator:
Kim Marks
Anastas N. Michos
Casting:
Nina Henninger
Heidi Levitt
Casting Associate:
Monika Mikkelsen
Compositor:
Daniel P. Rosen
Construction Coordinator:
Rodney Armanino
Costume Design:
Yvonne Blake
Costume Supervisor:
Carol Sadler
Costumer:
Michael Becker
Dialogue Editor:
Neal J. Anderson
Dan M. Rich
Laura Harris Atkinson
Digital Compositor:
Jacques Levesque
Brandon McNaughton
Ann Monn
Brent Gilmartin
John Rauh
Brian Hanable
Bob Wiatr
David Crawford
Digital Effects Supervisor:
Kenneth Littleton
Lawrence Littleton
Director:
Vincent Ward
Director of Photography:
Eduardo Serra
Dolly Grip:
Don L. Henderson
Editor:
David Brenner
Maysie Hoy
Executive In Charge Of Production:
Michelle Wright
Executive Producer:
Scott Kroopf
Ted Field
Erica Huggins
Ronald Bass
First Assistant Accountant:
Chris Furia
First Assistant Camera:
Patrick McArdle
Paul Sanchez
Foley Artist:
Sarah Monat
James Moriana
Foley Mixer:
Randy K. Singer
David W. Alstadter
Gaffer:
Jack English
Greensman:
Robert Butch Samarzich
Hairstylist:
Barbara Lorenz
Terry Baliel
Key Hair Stylist:
Fríða Aradóttir
Key Makeup Artist:
Cindy J. Williams
Key Rigging Grip:
Duane Robinson
Leadman:
Mike Helbig
Location Casting:
Nina Henninger
Location Manager:
Christine Bonnem
Music Editor:
Daryl B. Kell
Brent Brooks
Bill Abbott
Music Supervisor:
Dawn Solér
Novel:
Richard Matheson
Original Music Composer:
Michael Kamen
Post Production Accountant:
Marci Graber
Post Production Coordinator:
Lorisa D. Francis
Post Production Supervisor:
Graham Stumpf
Producer:
Stephen Deutsch
Barnet Bain
Production Coordinator:
Gretchen van Zeebroeck
Production Design:
Eugenio Zanetti
Production Sound Mixer:
Nelson Stoll
Property Master:
Peter Bankins
Rigging Gaffer:
Robert E. 'Bobby' Powell
Scoring Mixer:
Stephen McLaughlin
Screenplay:
Ronald Bass
Script Supervisor:
Carol DePasquale
Second Assistant Camera:
Jan Ruona
Eric Amundsen
Second Unit Director of Photography:
Richard Michalak
Second Unit First Assistant Director:
David Fudge
Set Decoration:
Cindy Carr
Josh Fifarek
Set Designer:
Erin Kemp
Dawn Swiderski
Alicia Maccarone
Aric Lasher
Set Dresser:
John W. Micheletos
Sound Editor:
Dino DiMuro
Scott Martin Gershin
Bob Beher
Jon Title
Paul Timothy Carden
Patrick N. Sellers
Hector C. Gika
Sound Re-Recording Mixer:
Patrick Cyccone Jr.
Michael Keller
Special Effects Coordinator:
Roy Arbogast
Special Effects Supervisor:
James Reedy
Standby Painter:
Victoria Carlson
Steadicam Operator:
Mark Van Loon
Still Photographer:
Phil Bray
Frank Masi
Studio Teacher:
Elise Ganz
Stunt Coordinator:
Charles Croughwell
Stunt Double:
Tierre Turner
Michael Anthony Mitchell
Stunt Driver:
Debbie Evans
Stunts:
Bob Yerkes
Gilbert Rosales
Brian Smrz
Scott Sproule
Dane Farwell
Clay Donahue Fontenot
Gregg Smrz
Kelly Smrz
Gary Morgan
Keith Woulard
Darlene Ava Williams
Russell Solberg
Merritt Yohnka
Jeff Habberstad
Rosine 'Ace' Hatem
William Morts
Patrick J. Statham
Dan Bell
Chase Allen
Noby Arden
Tammy Brady Conrad
Joey Anaya
Liisa Cohen
Gwynn Turnbull Weaver
Supervising Art Director:
Tomas Voth
Jim Dultz
Supervising Sound Editor:
David Kneupper
Peter Michael Sullivan
Transportation Coordinator:
Wayne Nelson
Unit Publicist:
Michael Umble
VFX Artist:
Daryl Tucker
VFX Editor:
Audrey Chang
Visual Effects Art Director:
Joshua Rosen
Visual Effects Producer:
Ellen Somers
Dean Wright
Michael Van Himbergen
Carl Seibert
Patti Kuwaye Mauck
Visual Effects Supervisor:
Stuart Robertson
Joel Hynek
Ellen Somers
Nicholas Brooks
Kevin Scott Mack
Ken Jones
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.