A work in constant progress (and occasional regress).
Release Date:
April 5, 2002
Original Title:
High Crimes
Alternate Titles:
Büyük Günahkar
Crimen en primer grado
Crimes em Primeiro Grau
Crimes et pouvoir
High Crimes – Auf höchsten Befehl
Ypsila Egklimata
جنایات بزرگ
Genres:
Crime | Drama | Mystery | Thriller
Production Companies:
20th Century Fox
Epsilon Motion Pictures
Fox
Manifest Film Company
Monarch Pictures
New Regency Pictures
Regency Enterprises
Production Countries:
United States of America
Ratings / Certifications:
CH: 18 DE: 12 DK: 15 ES: 12 FR: 12 GB: 12 HU: 18 IE: 12 JP: R18+ NL: 12 PL: 18 PT: M/12 RO: 15 US: PG-13
Runtime: 115
A female attorney learns that her husband is really a marine officer awol for fifteen years and accused of murdering fifteen civilians in El Salvador. Believing her husband when he tells her that he's being framed as part of a U.S. Military cover-up, the attorney defends him in a military court.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Mixer:
Dean Drabin
ADR Supervisor:
Gail Clark Burch
ADR Voice Casting:
Barbara Harris
Animal Wrangler:
Paul 'Sled' Reynolds
Art Department Coordinator:
Francine Byrne
Art Direction:
Gary Kosko
Assistant Property Master:
Monica Castro
Associate Producer:
Dennis E. Jones
Casting:
Mali Finn
Casting Assistant:
David Rapaport
Casting Associate:
Lindsey Hayes Kroeger
Co-Producer:
Naomi Despres
Color Timer:
Mato
Construction Coordinator:
Douglas Womack
Construction Foreman:
Cliff Carothers
Costume Design:
Sharen Davis
Dialogue Editor:
Lou Kleinman
Mark Gordon
Richard Dwan Jr.
Stu Bernstein
Director:
Carl Franklin
Director of Photography:
Theo van de Sande
Dolly Grip:
Jerry Bertolami
Editor:
Carole Kravetz Aykanian
Electrician:
John Owens
Executive Producer:
Lisa Henson
Kevin Reidy
First Assistant Director:
Michele Panelli-Venetis
First Assistant Editor:
Moonstar Greene
Blake Maniquis
First Assistant Sound Editor:
Thomas O'Neil Younkman
Foley Artist:
James Moriana
Jeffrey Wilhoit
Foley Editor:
Solange S. Schwalbe
Foley Recordist:
Greg Zimmerman
Hairstylist:
Lisa M. Cubero
Makeup Department Head:
Luisa Abel
Music Editor:
Roy Prendergast
Ashley Revell
Negative Cutter:
Theresa Repola Mohammed
Novel:
Joseph Finder
Original Music Composer:
Graeme Revell
Payroll Accountant:
Renee D. Czarapata
Post Production Supervisor:
Dan Genetti
Producer:
Jesse Beaton
Janet Yang
Arnon Milchan
Production Accountant:
Doug Moreno
Production Design:
Paul Peters
Prop Maker:
Armando Gonzalez
Property Master:
Will Blount
Rigging Gaffer:
Glenn Corbett
Screenplay:
Yuri Zeltser
Grace Cary Bickley
Script Supervisor:
Annie Welles
Sandra Cole
Second Assistant Director:
Chitra F. Mojtabai
Ozcar Ramírez González
Set Decorating Coordinator:
Alfredo Gonzalez
Set Decoration:
Kathryn Peters
Set Designer:
Dean Wolcott
Josh Lusby
Sound Re-Recording Mixer:
Matthew Iadarola
Gary Gegan
Special Effects Supervisor:
Lou Carlucci
Still Photographer:
Bruce W. Talamon
Stunt Coordinator:
Bob Brown
Stunt Double:
Lisa Hoyle
Melissa R. Stubbs
Stunts:
Dane Farwell
Danny Wynands
Norman Howell
Jophery C. Brown
Gregory J. Barnett
Troy Brown
Troy Robinson
Andy Gill
Steve M. Davison
Supervising Sound Editor:
Jerry Ross
Transportation Coordinator:
Dennis W. Milliken
Unit Production Manager:
Kevin Reidy
Dennis E. Jones
Unit Publicist:
Robert A. Levine
Video Assist Operator:
Dean Striepeke
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.