A work in constant progress (and occasional regress).
Release Date:
February 16, 2000
Original Title:
Hanging Up
Alternate Titles:
Avviso Di Chiamata
Linhas Cruzadas
來電傳情
挂线情未了
挂线未了情
来电传情
置之不理
Genres:
Comedy | Drama
Production Companies:
Columbia Pictures
Laurence Mark Productions
Nora Ephron Productions
Production Countries:
United States of America
Ratings / Certifications:
CZ: 15+ HU: 12 IE: 15 NL: AL PL: 16 PT: M/12 US: PG-13
Runtime: 94
Three sisters - Georgia, Eve, and Maddy - do what they do best with life, love, and lunacy on the telephone lines that bind - when their curmudgeonly father, Lou, is admitted to a Los Angeles Hospital. After years of wild living, intermittent affection, and constant phoning, he is finally threatening to die.
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ADR Editor:
Andrea Horta
Joe Dorn
Art Direction:
Troy Sizemore
Assistant Art Director:
Michael C. Stone
Assistant Chief Lighting Technician:
Vincent Contarino
Assistant Editor:
Jordan Dawes
Assistant Location Manager:
Deanna Adney
Assistant Production Coordinator:
Derek Jan Vermaas
Assistant Property Master:
Deana Albers
Assistant Sound Editor:
Bob Bowman
Roy Seeger
Drake Jenevein
Boom Operator:
Todd O. Russell
Camera Operator:
Douglas F. O'Neons
Casting:
Lisa Beach
Casting Assistant:
Kelly Mittelman
Casting Associate:
Sarah Katzman
Chief Lighting Technician:
Michael Orefice
Color Timer:
Matvey Shatz
Construction Coordinator:
Barry Kingston
Costume Designer:
Bobbie Read
Costume Supervisor:
Elinor Bardach
Dialogue Editor:
Frederick H. Stahly
Kimaree Long
Lauren Stephens
Director:
Diane Keaton
Director of Photography:
Howard Atherton
Dolly Grip:
Richard McCormick
Editor:
Julie Monroe
First Assistant Accountant:
Victoria Gregory
First Assistant Camera:
Scott Rathner
First Assistant Director:
K.C. Colwell
First Assistant Editor:
Charles Bunn
Foley Artist:
Gary A. Hecker
Michael J. Broomberg
Foley Editor:
Gary Mundheim
Mark Gordon
Foley Mixer:
Richard Duarte
Greensman:
Lee Runnels
Hair Supervisor:
Janice Alexander
Key Costumer:
Terry Anderson
Key Grip:
Stuart Abramson
Leadman:
Brent Rice
Location Manager:
Robert Craft
Main Title Designer:
Garson Yu
Makeup Supervisor:
Steve Artmont
Music Consultant:
Bonnie Greenberg
Music Editor:
Richard Whitfield
Negative Cutter:
Gary Burritt
Orchestrator:
Thomas Pasatieri
Original Film Writer:
Delia Ephron
Original Music Composer:
David Hirschfelder
Producer:
Delia Ephron
Nora Ephron
Producer's Assistant:
J.J. Sacha
Production Accountant:
Elizabeth Tompkins
Production Assistant:
Matthew Cope
Kristin Webb
Anna E. Hayward
Jesse Yoshimura
Michelle Posch
Laura Hogan
Production Coordinator:
Brigette Lester
Production Design:
Waldemar Kalinowski
Production Secretary:
Tiffany Powell
Production Sound Mixer:
Charles M. Wilborn
Production Supervisor:
Michelle Morrissey
Property Master:
Maureen Farley
Scoring Mixer:
Dennis Sands
Screenplay:
Delia Ephron
Nora Ephron
Script Supervisor:
Marion Tumen
Second Assistant Camera:
Darin Necessary
Second Assistant Director:
Darin Rivetti
Second Company Grip:
Ron Tondreau
Second Second Assistant Director:
Paula Harris
Set Costumer:
Alison Gail Bixby
Set Decoration:
Florence Fellman
Set Designer:
Mick Cukurs
Sound Effects Editor:
Philip A. Hess
Stu Bernstein
Scott Wolf
Greg Hedgepath
Sound Re-Recording Mixer:
Kevin O'Connell
Greg P. Russell
Special Effects:
Tom Seymour
Special Effects Supervisor:
J.D. Streett
Steadicam Operator:
Gregory Lundsgaard
Still Photographer:
Melinda Sue Gordon
Stunt Coordinator:
Jack Gill
Stunts:
Al Goto
Jeff Imada
Tabby Hanson
Charlie Brewer
Jimmy Graham III
Craig Hosking
Kevin Scott
Supervising ADR Editor:
Susan Dudeck
Supervising Sound Editor:
Michael D. Wilhoit
Transportation Captain:
Randy White
Transportation Co-Captain:
Cesar Angobaldo
Unit Production Manager:
Diana Pokorny
Unit Publicist:
Spooky Stevens
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.