A work in constant progress (and occasional regress).
Release Date:
December 17, 1999
Original Title:
Bicentennial Man
Alternate Titles:
200 Yaşlı İnsan
El Hombre Bicentenario
El hombre bicentenario
O Homem Bicentenário
Двухсотлетний человек
مرد دویستساله
变人
바이센테니얼 맨
Genres:
Drama | Science Fiction
Production Companies:
1492 Pictures
Columbia Pictures
Laurence Mark Productions
Radiant Productions
Touchstone Pictures
Production Countries:
Germany | United States of America
Ratings / Certifications:
AU: PG BR: 12 ES: A FR: U GB: PG GR: PG HU: 12 IE: 12 JP: G KR: 12 PT: M/12 RU: 16+ US: PG
Runtime: 131
Richard Martin buys a gift, a new NDR-114 robot. The product is named Andrew by the youngest of the family's children. "Bicentennial Man" follows the life and times of Andrew, a robot purchased as a household appliance programmed to perform menial tasks. As Andrew begins to experience emotions and creative thought, the Martin family soon discovers they don't have an ordinary robot.
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Animation:
Merrick Rustia
Art Direction:
William Hiney
Bruton Jones
Mark W. Mansbridge
Associate Producer:
Paula DuPré Pesmen
Casting:
Janet Hirshenson
Jane Jenkins
Conceptual Design:
Matsune Suzuki
Costume Design:
Joseph G. Aulisi
Digital Effects Supervisor:
Dan DeLeeuw
Director:
Chris Columbus
Director of Photography:
Phil Meheux
Editor:
Neil Travis
Nicolas De Toth
Executive Producer:
Dan Kolsrud
Novel:
Isaac Asimov
Robert Silverberg
Original Music Composer:
James Horner
Producer:
Michael Barnathan
Chris Columbus
Gail Katz
Laurence Mark
Neal Miller
Wolfgang Petersen
Mark Radcliffe
Production Design:
Norman Reynolds
Props:
Tory Belleci
Prosthetics:
Gary Archer
Screenplay:
Nicholas Kazan
Set Decoration:
Anne Kuljian
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.