Montse Ribé (b. 1972)

Birthplace:
Barcelona, Catalonia, Spain

Born:
January 1, 1972

Montse Ribé (born 1972) is a Spanish make-up artist and actress. She won the Academy Award for Best Makeup for her work in Pan's Labyrinth (2006). She portrayed young Hellboy in the movie Hellboy II: The Golden Army.  She was one of 115 people invited to join the Academy of Motion Picture Arts and Sciences in 2007.

Additional information:

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Animatronic and Prosthetic Effects:
2014  [REC]⁴ Apocalypse

Makeup Effects:
2009  Cell 211
2012  The Body
2014  Paulo Coelho's Best Story
2014  [REC]⁴ Apocalypse
2016  A Monster Calls

Makeup Effects Designer:
2000  Common Wealth
2001  Sex and Lucía
2002  Talk to Her
2004  Bad Education
2006  Pan's Labyrinth
2007  The Orphanage
2008  Hellboy II: The Golden Army
2009  Agora
2009  Cell 211
2010  Biutiful
2011  The Skin I Live In
2012  The Body
2014  Paulo Coelho's Best Story
2014  [REC]⁴ Apocalypse
2015  Crimson Peak
2016  A Monster Calls
2016  Julieta

Special Effects:
2000  Common Wealth
2001  Sex and Lucía
2002  Talk to Her
2004  Bad Education
2006  Pan's Labyrinth
2007  The Orphanage
2008  Hellboy II: The Golden Army
2009  Agora
2009  Cell 211
2010  Biutiful
2011  The Skin I Live In
2012  The Body
2014  Paulo Coelho's Best Story
2014  [REC]⁴ Apocalypse
2015  Crimson Peak
2016  A Monster Calls
2016  Julieta
2017  Muse
2019  Pain and Glory

Special Effects Makeup Artist:
2000  Common Wealth
2001  Sex and Lucía
2002  Talk to Her
2004  Bad Education
2006  Pan's Labyrinth
2007  The Orphanage
2008  Hellboy II: The Golden Army
2009  Agora
2009  Cell 211
2010  Biutiful
2011  The Skin I Live In
2012  Painless
2012  The Body
2012  The Impossible
2014  Paulo Coelho's Best Story
2014  [REC]⁴ Apocalypse
2015  Crimson Peak
2016  A Monster Calls
2016  Julieta
2017  Muse
2017  The Invisible Guest
2019  Pain and Glory
2020  32 Malasana Street
2023  Society of the Snow

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.