A work in constant progress (and occasional regress).
Release Date:
October 31, 2014
Original Title:
[REC]⁴: Apocalipsis
Alternate Titles:
REC 4 Apocalypse
REC レック4 ワールドエンド
[REC]⁴
[REC]⁴ Apocalipsis
[REC]⁴ Apocalypse
[REC]⁴: Kıyamet Gecesi
死亡录像4
Genres:
Horror | Thriller
Production Companies:
Canal+ España
Castelao Productions
Filmax
Rec Apocalypse AIE
Production Countries:
Spain
Ratings / Certifications:
DE: 16 ES: 16 FR: 12 GB: 18 JP: R18+ US: R
Runtime: 95
Ángela Vidal, the young television reporter who entered the building with the firemen, manages to make it out alive. But what the soldiers don't know is that she carries the seed of the strange infection. She is to be taken to a provisional quarantine facility, a high-security installation where she will have to stay in isolation for several days. An old oil tanker, miles off shore and surrounded by water on all sides, has been especially equipped for the quarantine.
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Animatronic and Prosthetic Effects:
Montse Ribé
Art Direction:
Javier Alvariño
Associate Producer:
Valentina Chidichino
Casting:
Diego Betancor
Costume Design:
Marian Coromina
Creative Producer:
Paco Plaza
Director:
Jaume Balagueró
Director of Photography:
Pablo Rosso
Editor:
Guillermo de la Cal
Executive Producer:
Laura Fernández Brites
Carlos Fernández
Adrià Monés
Line Producer:
Teresa Gefaell
Original Music Composer:
Arnau Bataller
Producer:
Julio Fernández
Scoring Mixer:
Marc Blanes Matas
Sound Designer:
Urko Garai
Oriol Tarragó
Sound Effects Editor:
Marc Bech
Sound Re-Recording Mixer:
Marc Orts
Writer:
Jaume Balagueró
Manu Díez
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.