A work in constant progress (and occasional regress).
Release Date:
June 23, 2014
Original Title:
Não Pare na Pista: A Melhor História de Paulo Coelho
Alternate Titles:
A Zarándok - Paulo Coelho legjobb története
El Peregrino
Ha'masa el ha'alkhimai
Paulo Coelho - Der Weg des Magiers
Paulo Coelho - Mitt liv som alkemist
The Pilgrim: The Best Story of Paulo Coelho
Genres:
Drama | History
Production Companies:
Babel Films S.L.
Damasco Filmes
Production Countries:
Brazil | Spain
Ratings / Certifications:
BR: 14
Runtime: 112
Paulo Coelho is the world’s most translated living author, his books having sold over 165 million copies. But he was not always the inspirational global phenomenon he is today. Like the heroes in his spiritual classics THE ALCHEMIST and THE PILGRIMAGE, he long-searched for his calling, flirting with death, escaping madness, falling in love, and making rock ’n’ roll history in Brazil, all-the-while striving for success as a writer. A wild ride through a lifetime of stranger-than-fiction adventures, PAULO COELHO’S BEST STORY is a profoundly moving film that goes straight to the heart of the most beloved literary guru of our time, revealing the most incredible wonder of all: the man behind the masterpieces.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Additional Camera:
Isabel Rega
Additional Editor:
Samy Waitzberg
Additional Production Assistant:
Antonio Ramón
Verónica Pan
Additional Sound Re-Recording Mixer:
André Tadeu
Art Department Assistant:
Alexandra Fernández
Tania Whalbeck
Art Department Coordinator:
Renata Otomura
Art Department Production Assistant:
Carolina Britto
Art Designer:
Clara Rocha
Art Direction:
Ana Mara Abreu
Zé Luca
Assistant Art Director:
Amanda Maciel Antunes
Manu Cerqueira
Lucía Rodríguez
Assistant Camera:
Rafael Costa
Amara Barroso
Leonardo Vasconcellos
Joaquim Torres
Assistant Costume Designer:
Masta Ariane
Ananda Frazao
Gabriella Marra
Assistant Director:
Lorena Vilas
Assistant Editor:
Lucas Gandini
João Nathan
Marcus Vinicius
Assistant Electrician:
Big Joe
Joubert Freitas
Cristiano Teixeira
Assistant Grip:
Lucas Baiano
Generci Pereira
Sidnei Nascimento
Assistant Makeup Artist:
Juliana Rodrigues
Natalia Camelo
Mari Pin
Assistant Property Master:
Aron Martins
Boom Operator:
Rômulo Drummond
Daniel Durán
Daniel Fernández Durán
Camera Operator:
Leandro Pagliaro
Juanjo Sánchez
Casting:
Eduardo Milewicz
Casting Assistant:
Juliana Matos
Casting Producer:
Cibele Santa Cruz
Co-Producer:
Angélica Huete
Construction Coordinator:
Renato Endres
Controller:
Leonardo Oliveira
Álvaro Sánchez Bustos
Costume Assistant:
María Porto
Costume Design:
Ana Avelar
Costumer:
Cati Pensado
Data Management Technician:
Raphael Fuzari
Delegated Producer:
Sofia Teixeira-Gomes
Dialogue Editor:
Juan Ignacio Bernardis
Nerina Valido
Digital Compositor:
Lurival Jones
Digital Imaging Technician:
Xoan Feros
Rafael Giuliano
Director:
Daniel Augusto
Director of Photography:
Jacob Solitrenick
Editor:
Leticia Giffoni
Electrician:
Peru Herrero
Raúl Pérez
Executive Producer:
Flávio R. Tambellini
Executive Producer's Assistant:
Tarcila Jacob
First Assistant Camera:
Ramiro Sabell
Marco Chile Contreras
First Assistant Director:
Lara Carmo
Focus Puller:
Ramiro Sabell
Foley Artist:
Pablo Gamberg
Guillermo Picco
Foley Recordist:
Pablo Girosa
Gaffer:
Miguel Ángel Cárdenas
Betão
General Manager:
Patrick Siaretta
Graphic Designer:
Bruno De Laurentis
Grip:
Luiz Gonzaga de Almeida
Cícero Teles
Hairstylist:
Blanca Sánchez
Glória Maria
Key Grip:
Carlos Parra
Location Manager:
Maria Maria Dunham
Kleber Souza
Makeup Artist:
Stephen Murphy
José Quetglás
Gabi Moraes
Auri Mota
Makeup Effects:
Montse Ribé
Fay Hatzius
Lorena Sanchez
Antonio Gómez
Pablo Perona
Raquel Munuera
David Martí
Marcos Sagasta
Makeup Effects Designer:
Xavi Bastida
Music:
Pascal Gaigne
Music Producer:
Berna Ceppas
Painter:
Giba
Post Production Assistant:
Leonardo Sadagurschi
Karina Zambelli
Marcus Vinicius
Bruno Keusen
Post Production Coordinator:
Bia Almeida
Fabian Gamarra
Beatriz Gómez
Juca Diaz
Producer:
Carolina Kotscho
Iona de Macedo
Production Assistant:
Renata Amaral
Jorge Eiroa
Production Coordinator:
Tatiana Chav
Clara Machado
Production Design:
Antxón Gómez
Production Manager:
Tatiana Chav
Fernando Zagallo
Property Buyer:
Antía León Castro
Property Master:
Guilherme Roque
Jarbas Gomes
Researcher:
Stephanie Degreas
Script Supervisor:
Aline Motta
Maloles Rodríguez
Second Assistant Camera:
Nicolau Saldanha
Felipe Malheiros
Second Assistant Director:
Aline Guerra
Montse Molist
Set Decoration:
Odair Zani
Set Dresser:
Tanis Villar
Julián Estében Celeiro
Sound:
José Moreau Louzeiro
David Machado
Sound Assistant:
Victor Tigronez Marinho
Sound Designer:
Martín Grignaschi
Sound Editor:
Lucas Meyer
Sound Effects Editor:
Lucas Page
Sound Post Production Coordinator:
Débora Arima
Sound Re-Recording Assistant:
Felipe Forato
Andréia Freire
Sound Re-Recording Mixer:
Diego Gat
Armando Torres Jr.
Special Effects:
Javier Jal
Jaime Merino
Special Effects Makeup Artist:
Jordi Morera
Steadicam Operator:
Fabricio Tadeu
Still Photographer:
Pipo Fernández
Guilherme Maia
Stunt Coordinator:
Fillipe Dias
Swing:
Roberto Collantes
Miguel Riesco
Third Assistant Director:
Armanda Holcomb
Chiara Papali
Video Assist Operator:
Paula Ortiz
Federico Oliver
Visual Effects:
Vanessa Mariano
Visual Effects Coordinator:
Marcelo Ferreira PeeJay
Visual Effects Supervisor:
Robson Sartori
Writer:
Carolina Kotscho
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.