A work in constant progress (and occasional regress).
Release Date:
August 17, 2011
Original Title:
La piel que habito
Alternate Titles:
A Pele Onde Eu Vivo
Huden jag bor i
La peau que j'habite
La piel que abito
切膚慾謀
Genres:
Drama | Horror | Mystery | Thriller
Production Companies:
El Deseo
Production Countries:
Spain
Ratings / Certifications:
AR: +16 AU: MA15+ BE: 16 BR: 16 CA: 18A DE: 16 DK: 15 ES: 16 FI: K-16 FR: U|TP GB: 15 HK: III IE: 18 JP: R15+ KR: 18 LT: N-16 MX: B-15 NL: 12 NO: 15 NZ: R16 PT: M/16 RU: 16+ SE: 15 SG: R21 TR: 16+ US: R
Runtime: 120
A brilliant plastic surgeon creates a synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.
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3D Artist:
José Luis Barreiro Gómez
Segundo Casero
Juan Luis Gorjon
Alberto Luceño
Additional Writing:
Agustín Almodóvar
Art Direction:
Carlos Bodelón
Assistant Decorator:
Jesús Calzada
Carlota Casado
Alexandra Fernández
Assistant Director Trainee:
Juan Carlevaris
Laura Díez
Assistant Makeup Artist:
Fanny Bello
Cristina Couto
Raquel Fidalgo
María Illobre
Esther Quintas
Susana Veira
Assistant Production Manager:
Federico Rozadillas
Assistant Sound Editor:
Eduardo Castro
Rafa Paniagua
Associate Producer:
Bárbara Peiró
Boom Operator:
Juan Dibarboure
Camera Operator:
Joaquín Manchado
Casting:
Luis San Narciso
Color Timer:
Chema Alba
Construction Coordinator:
José Luis Moya
Construction Manager:
Ramón Moya
Costume Design:
Paco Delgado
Dialogue Editor:
César Molina
Digital Compositor:
Sonsoles Aranguren
Ramón Ramos
Bahar Cetin
Yolanda Rubio-Soto
Pilar Cienfuegos
Ezequiel Larrú
Thorsten Rienth
Guillermo Martínez Benavente
Paula Rubio
Director:
Pedro Almodóvar
Director of Photography:
José Luis Alcaine
Editor:
José Salcedo
First Assistant Director:
Manuel Calvo
Foley Artist:
Álex F. Capilla
Foley Recordist:
Patrick Ghislain
Gaffer:
Fernando Beltrán
Graphic Designer:
Juan Gatti
Gabriel del Boca
Juan Sánchez
Hair Assistant:
Oscar Aramburu
María Barreiro
José Martínez
Fani Mosqueira
Carlos Rivadulla
Pablo S. Santomil
Patricia Vilela
Hairstylist:
Manolo Carretero
Lead Painter:
Martín Sánchez Fernández
Makeup Artist:
Karmele Soler
Daniel Coltor
Makeup Effects Designer:
Montse Ribé
Music Producer:
Javier Casado Sudupe
Musician:
Andrew Crowley
Fernando Favier
Joulien Ferrer
Iván González Lewis
Vicente Huerta
Inoidel
Peter Lale
Anthony Pleeth
Carlitos Sarduy
Mary Scully
Novel:
Thierry Jonquet
Original Music Composer:
Alberto Iglesias
Painter:
Sandra Wahlbeck
Tania Whalbeck
Producer:
Agustín Almodóvar
Esther García
Production Coordinator:
Covadonga R. Gamboa
Production Design:
Antxón Gómez
Production Manager:
Toni Novella
Production Secretary:
Adela Donamaría
Property Master:
Juanan Padilla
Props:
Gonzalo Ansó
Antón Pena
Ramón Rubira
Juan Ignacio Viñuales
Prosthetics:
Raquel Munuera
Screenplay:
Pedro Almodóvar
Script Supervisor:
Yuyi Beringola
Second Assistant Director:
Patricia González
Francisco Lareu
Eva Sánchez
Set Decoration:
Vicent Díaz
Set Decoration Buyer:
Antía León Castro
Set Designer:
Alejandra Loiseau
Sound Assistant:
Diego Díaz
Sound Editor:
Pelayo Gutiérrez
Sound Effects Editor:
Rafa Paniagua
Sound Re-Recording Assistant:
Mario González
Sound Re-Recording Mixer:
Marc Orts
Sound Recordist:
Iván Marín
Josep Prieto
Special Effects Makeup Artist:
David Martí
Montse Ribé
Tamar Aviv
Pablo Perona
Special Effects Supervisor:
Reyes Abades
Special Effects Technician:
César Abades
Óscar Abades
Daniel Reboul
Joaquín Vergara
Special Props:
Sandra Wahlbeck
Tania Whalbeck
Standby Property Master:
Mikel Izaguirre
Pablo Seoane
Still Photographer:
José Haro
Lucía Faraig
Storyboard Artist:
Pablo Buratti
Stunts:
Pablo Amores
Camino Capellín
Third Assistant Director:
David Esquivel
Ana Valencia
Unit Production Manager:
Sergio Díaz
Visual Effects Producer:
Helen Martí Donoghue
Visual Effects Supervisor:
Eduardo Díaz
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At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.