A work in constant progress (and occasional regress).
Mixing Engineer:
2016 Porta dos Fundos: Contrato Vitalício
Recording Supervision:
2016 Porta dos Fundos: Contrato Vitalício
2016 The Silence of the Sky
???? The Survivors
Sound:
2000 Retrato Pintado
2016 Porta dos Fundos: Contrato Vitalício
2016 The Silence of the Sky
???? The Survivors
Sound Designer:
2000 Retrato Pintado
2012 Along the Way
2013 Olympic Women
2013 Until Sbornia Do Us Part
2014 Alemão
2014 Made in China
2016 Elis
2016 Porta dos Fundos: Contrato Vitalício
2016 The Silence of the Sky
2018 Nothing to Lose
???? The Survivors
Sound Editor:
2000 Retrato Pintado
2002 Lara
2012 Along the Way
2013 Olympic Women
2013 Until Sbornia Do Us Part
2014 Alemão
2014 Captive Hearts
2014 Made in China
2016 Elis
2016 Porta dos Fundos: Contrato Vitalício
2016 The Silence of the Sky
2018 Nothing to Lose
???? The Survivors
Sound Effects:
2000 Retrato Pintado
2002 Lara
2003 Carandiru
2012 Along the Way
2013 Olympic Women
2013 Until Sbornia Do Us Part
2014 Alemão
2014 Captive Hearts
2014 Made in China
2016 Elis
2016 Porta dos Fundos: Contrato Vitalício
2016 The Silence of the Sky
2018 Nothing to Lose
???? The Survivors
Sound Effects Editor:
2000 Retrato Pintado
2001 To the Left of the Father
2002 Lara
2003 Carandiru
2012 Along the Way
2013 Olympic Women
2013 Until Sbornia Do Us Part
2014 Alemão
2014 Captive Hearts
2014 Made in China
2016 Elis
2016 Porta dos Fundos: Contrato Vitalício
2016 The Silence of the Sky
2018 Nothing to Lose
???? The Survivors
Sound Mixer:
2000 Retrato Pintado
2001 To the Left of the Father
2002 Lara
2003 Benjamim
2003 Carandiru
2004 Redeemer
2006 Drained
2007 Stray Dog
2012 Along the Way
2012 Kings & Rats
2013 Mato Sem Cachorro
2013 My Sweet Orange Tree
2013 Olympic Women
2013 Until Sbornia Do Us Part
2014 Alemão
2014 Captive Hearts
2014 Made in China
2016 Elis
2016 Porta dos Fundos: Contrato Vitalício
2016 The Silence of the Sky
2017 João, o Maestro
2018 Nothing to Lose
2021 Confessions of an Invisible Girl
2022 D.P.A. - O Filme 3: Uma Aventura no Fim do Mundo
2022 Pluft: O Fantasminha
2022 Suspension Points
2023 Ó Paí, Ó 2
2024 A Mother's Embrace
2025 Manas
???? The Survivors
Sound Re-Recording Mixer:
2000 Retrato Pintado
2001 To the Left of the Father
2002 Lara
2003 Benjamim
2003 Carandiru
2004 Olga
2004 Redeemer
2005 Cinema, Aspirins and Vultures
2005 Gaijin: Ama-me Como Sou
2005 What Is It Worth?
2006 Bog of Beasts
2006 Drained
2006 Irma Vap: O Retorno
2007 Antônia
2007 Elite Squad
2007 Not by Chance
2007 Stray Dog
2010 Elite Squad: The Enemy Within
2012 Along the Way
2012 Kings & Rats
2012 Party Crashers
2013 Between Us
2013 Mato Sem Cachorro
2013 My Sweet Orange Tree
2013 Olympic Women
2013 Until Sbornia Do Us Part
2014 Alemão
2014 Captive Hearts
2014 Made in China
2014 Paulo Coelho's Best Story
2016 Elis
2016 Porta dos Fundos: Contrato Vitalício
2016 The Silence of the Sky
2017 João, o Maestro
2017 Severina
2017 The Movie of My Life
2017 Whirlpool
2018 Crittus
2018 Nothing to Lose
2018 Paradise Lost
2019 The Nightshifter
2021 Confessions of an Invisible Girl
2022 D.P.A. - O Filme 3: Uma Aventura no Fim do Mundo
2022 Pluft: O Fantasminha
2022 Suspension Points
2023 Ó Paí, Ó 2
2024 A Mother's Embrace
2025 Manas
???? The Survivors
Sound:
2009 Sound & Fury
Sound Mixer:
2009 Sound & Fury
2014 Educação.doc
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.