A work in constant progress (and occasional regress).
Release Date:
March 29, 2018
Original Title:
Nada a Perder
Alternate Titles:
Nada a perder parte 1
Nada que Perder - Contra Todo. Por Todos.
Nothing to Lose - Against All Odds. For the Good of All.
Rien à Perdre - Contre Tout. Pour Tous.
Genres:
Drama | History
Production Companies:
Downtown Filmes
Paris Entretenimento
Paris Filmes
Record Filmes
Record TV
Production Countries:
Brazil
Ratings / Certifications:
BR: 12 FR: U KR: 12
Runtime: 130
Authorized biopic of Brazilian evangelical bishop Edir Macedo, founder of the Universal Church of the Kingdom of God and owner of Record TV network. Based on a book trilogy of the same name, the movie tells the story of the self-made man who faced several moments of turbulence while pursuing his conviction.
Art Direction:
Frederico Pinto
Casting Producer:
Renata Kalman
Costumer:
Cristina Camargo
Director:
Alexandre Avancini
Director of Photography:
Pedro Cardillo
Editor:
PH Farias
Francisco Antunes
Executive Producer:
Renata Rezende
Antônio Irivan de Souza
First Assistant Director:
Suzy Milstein
Carol Minêm
Henrique Paladino
Makeup Artist:
Emi Sato
Tayce Vale
Original Music Composer:
Otavio de Moraes
Post Production Supervisor:
Karina Vanes
Producer:
Douglas Tavolaro
Marília Toledo
Marcio Fraccaroli
André Fraccaroli
Sandi Adamiu
Second Assistant Director:
Camila Nicodemos
Tiago Vaz
Tainã Stinghen
Sound:
Jorge Rezende
Sound Designer:
Alessandro Laroca
Eduardo Virmond Lima
Renan Deodato
Armando Torres Jr.
Sound Mixer:
Alessandro Laroca
Eduardo Virmond Lima
Renan Deodato
Armando Torres Jr.
Third Assistant Director:
Maria Beatriz S. Ribas
Visual Effects Supervisor:
Marco Prado
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.