A work in constant progress (and occasional regress).
Release Date:
November 30, 2012
Original Title:
Os Penetras
Genres:
Comedy
Production Companies:
Conspiração Filmes
Production Countries:
Brazil
Ratings / Certifications:
N/A
Runtime: 101
"Party Crashers" chronicles the amusing encounter between Marco Polo (Marcelo Adnet), a Copacabana trickster, and Beto (Eduardo Sterblitch), a shy and insecure man, on the New Year's Eve in Rio. Together they crash parties and create a lot of confusion in search of the beautiful Laura.
Additional Photography:
Pedro Serrão
Art Department Coordinator:
Renata Otomura
Associate Producer:
Flora Gil
Carlos Eduardo Rodrigues
Luciano Huck
Co-Producer:
José Carlos de Oliveira
Costume Design:
Marcelo Pies
Delegated Producer:
Fernando Zagallo
Dialogue Editor:
Henrique Bertol
Digital Compositor:
Rafael Haddad
Carlos Eduardo Cipolla
Pedro Santos
Digital Effects Producer:
Marcelo Ferreira PeeJay
Director:
Andrucha Waddington
Director of Photography:
Ricardo Della Rosa
Editor:
Sérgio Mekler
Executive Producer:
Pedro Buarque de Hollanda
Foley:
Juliano Schultz
Anderson Tieta
Foley Artist:
Roger Hands
Foley Editor:
Andréia Freire
Graphic Designer:
Bruno De Laurentis
Hairstylist:
Claudia Cruz
In Memory Of:
Hebe Camargo
Original Music Composer:
Dudu Marote
Other:
Eduardo Sterblitch
Marcelo Adnet
Fernanda Torres
Rene Belmonte
Producer:
Eliana Soárez
Andrucha Waddington
Production Sound Mixer:
Jorge Saldanha
Pyrotechnician:
Sergio Farjalla Jr.
Sound Designer:
Eduardo Virmond Lima
Sound Effects Editor:
Priscila Pereira
Fernando Lobo
Sound Re-Recording Mixer:
Armando Torres Jr.
Stunt Coordinator:
Fillipe Dias
Thanks:
Caio Junqueira
Visual Effects:
Vanessa Mariano
Visual Effects Coordinator:
Robson Sartori
Weapons Master:
Marcio Bittencourt Farjalla
Writer:
Rafael Dragaud
Nina Crintzs
Andrucha Waddington
Marcelo Vindicato
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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