A work in constant progress (and occasional regress).
Assistant Sound Editor:
2014 Beyond the Lights
2015 Home Sweet Hell
2015 The End of the Tour
Dialogue Editor:
2014 Beyond the Lights
2015 Home Sweet Hell
2015 The End of the Tour
2017 Keep Watching
Mixing Engineer:
2014 Beyond the Lights
2015 Home Sweet Hell
2015 The End of the Tour
2017 Keep Watching
2022 "Sr."
Sound Editor:
2002 25th Hour
2013 You're Dead to Me
2014 Beyond the Lights
2015 Home Sweet Hell
2015 The End of the Tour
2017 Keep Watching
2022 "Sr."
Sound Mixer:
2002 25th Hour
2009 Then a Year
2013 You're Dead to Me
2014 Beyond the Lights
2015 Home Sweet Hell
2015 The End of the Tour
2017 Keep Watching
2022 "Sr."
Sound Re-Recording Assistant:
2001 The Score
2002 25th Hour
2009 Then a Year
2013 You're Dead to Me
2014 Beyond the Lights
2015 Home Sweet Hell
2015 The End of the Tour
2017 Keep Watching
2022 "Sr."
Sound Recordist:
2001 The Business of Strangers
2001 The Center of the World
2001 The Score
2001 Y Tu Mamá También
2002 25th Hour
2009 Then a Year
2012 Killing Them Softly
2012 The Expendables 2
2013 Alone Yet Not Alone
2013 Escape Plan
2013 You're Dead to Me
2014 Beyond the Lights
2014 Child of God
2014 Haunt
2014 Hector and the Search for Happiness
2014 Road to Paloma
2015 Home Sweet Hell
2015 The End of the Tour
2016 Captain Fantastic
2016 Get a Job
2017 Keep Watching
2018 Kin
2019 A Madea Family Funeral
2022 "Sr."
2022 Emily the Criminal
2023 Down Low
Assistant Sound Editor:
2014 How to Get Away with Murder
2022 Inventing Anna
Sound Engineer:
2014 How to Get Away with Murder
2022 Inventing Anna
Sound Recordist:
2005 Criminal Minds
2014 How to Get Away with Murder
2022 Inventing Anna
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.