A work in constant progress (and occasional regress).
Release Date:
September 2, 2022
Original Title:
"Sr."
Alternate Titles:
Senior
Sr.
“Sr.”
罗伯特·唐尼:自成一格
Genres:
Documentary
Production Companies:
Library Films
Team Downey
Production Countries:
United States of America
Ratings / Certifications:
FR: 16 JP: R18+ PL: 16 SG: R21 US: R
Runtime: 90
A portrait of the life and career of Robert Downey Sr. (1936-2021), the visionary and fearless US filmmaker — father of actor Robert Downey Jr. — who in the sixties and seventies laid the foundations for countercultural comedy.
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Additional Camera:
Jimmy Rich
Ian Levasseur
Trevor Neuhoff
Pablo Garcia Soriano
Additional Colorist:
Adam Nazarenko
Additional Editor:
Zach Passero
Animation:
Stefan Nadelman
Archival Footage Coordinator:
Cassie Sagness
Sam Epstein
Assistant Editor:
Graham Goodwin
Jonathan Leiner
Benjamin Freemantle
Zev Rand
Eugene Lehnert
Associate Producer:
Zach Watkins
Color Assistant:
Aaron Bennett
Frankie Hudson
Colorist:
Stefan Sonnenfeld
Parker Jarvie
Director:
Chris Smith
Director of Operations:
Thomas Centrone
Director of Photography:
Kevin Ford
Chris Smith
Driver:
Rae Galan
Editor:
Kevin Ford
Amanda C. Griffin
Daniel Koehler
Executive Producer:
Stefan Sonnenfeld
Finishing Producer:
Dawn Landon
Jim Gardner
Graphic Designer:
Stefan Nadelman
Head of Production:
Laura Geucherian
Carl Moore
Imaging Science:
John Quartel
Emily Faw
Line Producer:
Stacy Smith
Location Sound Mixer:
Kevin Ford
Ryann Fraser
Makeup & Hair:
Davy Newkirk
Mixing Engineer:
Jesse Ehredt
Eric Ciocci
Craig Penner
Kyle Villareal
Music Supervisor:
Ryann Fraser
Online Editor:
Jonathan Leiner
Graham Goodwin
Mario Deco
Producer:
Robert Downey Jr.
Susan Downey
Emily Barclay Ford
Kevin Ford
Production Assistant:
Sage Levine
Sydney Schwartz
Researcher:
Charlotte Cailliarec
Sound Designer:
Kevin Senzaki
Kevin Senzaki
Sound Re-Recording Mixer:
Keith Hodne
Supervising Sound Editor:
Keith Hodne
Technical Supervisor:
Mike Chiado
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.