Marlena Grzaslewicz

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ADR Editor:
2008  Birds of America
2018  Lizzie

Dialogue Editor:
1995  Safe
1998  Snake Eyes
2001  Tape
2008  Birds of America
2012  Marina Abramović: The Artist Is Present
2012  The Bay
2013  The Hot Flashes
2014  Miriam: Home Delivery
2014  My Old Lady
2014  The Last Five Years
2017  How to Talk to Girls at Parties
2017  The Great War
2018  Ben Is Back
2018  Detroit 48202: Conversations Along a Postal Route
2018  Lizzie
2018  The Seagull
2022  The Janes
2024  Babygirl

Sound:
1995  Safe
1998  Snake Eyes
2001  Tape
2003  Prey for Rock & Roll
2008  Birds of America
2012  Marina Abramović: The Artist Is Present
2012  The Bay
2013  The Hot Flashes
2014  Miriam: Home Delivery
2014  My Old Lady
2014  The Last Five Years
2016  My Dead Boyfriend
2017  How to Talk to Girls at Parties
2017  The Great War
2018  Ben Is Back
2018  Detroit 48202: Conversations Along a Postal Route
2018  Lizzie
2018  The Seagull
2022  The Janes
2024  Babygirl

Sound Editor:
1995  Safe
1998  Celebrity
1998  Snake Eyes
2001  Tape
2002  Tadpole
2003  Capturing the Friedmans
2003  Prey for Rock & Roll
2005  The Massie Affair
2008  Birds of America
2009  Great Directors
2012  Marina Abramović: The Artist Is Present
2012  The Bay
2013  The Hot Flashes
2014  Miriam: Home Delivery
2014  My Old Lady
2014  The Last Five Years
2016  My Dead Boyfriend
2017  How to Talk to Girls at Parties
2017  The Great War
2018  Ben Is Back
2018  Detroit 48202: Conversations Along a Postal Route
2018  Lizzie
2018  The Seagull
2022  The Janes
2024  Babygirl

Supervising Sound Editor:
1995  Safe
1998  Celebrity
1998  Snake Eyes
2001  Tape
2002  Tadpole
2003  Capturing the Friedmans
2003  Prey for Rock & Roll
2005  The Dying Gaul
2005  The Massie Affair
2006  The Hottest State
2008  Birds of America
2008  Towelhead
2009  Great Directors
2012  Marina Abramović: The Artist Is Present
2012  The Bay
2013  The Hot Flashes
2014  Miriam: Home Delivery
2014  My Old Lady
2014  The Last Five Years
2016  Manhattan Night
2016  My Dead Boyfriend
2017  How to Talk to Girls at Parties
2017  The Great War
2018  Ben Is Back
2018  Detroit 48202: Conversations Along a Postal Route
2018  Lizzie
2018  The Seagull
2022  The Janes
2024  Babygirl

Thanks:
1995  Safe
1998  Celebrity
1998  Snake Eyes
2001  Tape
2002  Tadpole
2003  Capturing the Friedmans
2003  Prey for Rock & Roll
2005  The Dying Gaul
2005  The Massie Affair
2006  The Hottest State
2008  Birds of America
2008  Towelhead
2009  Great Directors
2012  Marina Abramović: The Artist Is Present
2012  The Bay
2013  The Hot Flashes
2014  Miriam: Home Delivery
2014  My Old Lady
2014  The Last Five Years
2016  Manhattan Night
2016  My Dead Boyfriend
2017  How to Talk to Girls at Parties
2017  The Great War
2018  Ben Is Back
2018  Detroit 48202: Conversations Along a Postal Route
2018  Lizzie
2018  The Seagull
2022  The Janes
2024  Babygirl
????  The Golden Record

Dialogue Editor:
2017  The Vietnam War
2019  Country Music
2020  Grant
2021  Halston
2021  Hemingway
2021  Muhammad Ali
2022  The Staircase
2022  The U.S. and the Holocaust
2023  The American Buffalo
2024  Leonardo da Vinci

Supervising Sound Editor:
2017  The Vietnam War
2019  Country Music
2020  Grant
2021  Halston
2021  Hemingway
2021  Muhammad Ali
2022  The Staircase
2022  The U.S. and the Holocaust
2023  The American Buffalo
2024  Leonardo da Vinci

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.