A work in constant progress (and occasional regress).
Release Date:
October 6, 2017
Original Title:
How to Talk to Girls at Parties
Alternate Titles:
Como falar com raparigas em festas
Cómo enamorar a una chica punk
La ragazza del punk innamorato
派对搭讪秘诀
闪光少女撞地球
Genres:
Comedy | Music | Romance | Science Fiction
Production Companies:
Film4 Productions
Little Punk
See-Saw Films
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AT: 16 BR: 18 CA: 18A DE: 16 DK: 15 FI: K-16 FR: U GB: 15 IE: 15 JP: G PL: 16 RU: 18+ US: R
Runtime: 103
In 1970s London, a teenage outsider named Enn falls in love with a rebellious alien girl named Zan, who has come to Earth for a party. Together, they navigate the complexities of intergalactic culture and the trials of first love.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
"A" Camera Operator:
Gareth Hughes
ADR Coordinator:
Tricia Schultz
ADR Mixer:
Nick Kray
Bobby Johanson
ADR Recordist:
Michael Rivera
Daniel Hayden
Additional Sound Re-Recording Mixer:
Stephen Urata
Animation:
John Bair
Art Direction:
Caroline Barclay
Assistant Art Director:
Alex Woodward
Assistant Costume Designer:
Oliver Garcia
Associate Editor:
Christopher Rand
Camera Trainee:
Ethan Glanfield
Carpenter:
Seb Palmer
Paul Rigby
Casting:
Douglas Aibel
Henry Russell Bergstein
Karen Lindsay-Stewart
Emily Jacobs
Construction Manager:
Dan Crandon
Costume Design:
Sandy Powell
Costume Supervisor:
Sheara Abrahams
Dialogue Coach:
Sandra Frieze
Dialogue Editor:
Marlena Grzaslewicz
Mary Ellen Porto
Director:
John Cameron Mitchell
Director of Photography:
Frankie DeMarco
Editor:
Brian A. Kates
Executive Producer:
Neil Gaiman
Winnie Lau
Michael J. Werner
Thorsten Schumacher
David Kosse
Josie Ho
Hugo Heppell
Rose Garnett
Peter Fornstam
First Assistant "A" Camera:
Fran Weston
First Assistant "B" Camera:
Sarah Rollason
First Assistant "C" Camera:
Michael Green
First Assistant Director:
Adam Lock
Foley Artist:
Marko Costanzo
Foley Editor:
Patrick Cicero
Steven Visscher
Foley Mixer:
George A. Lara
Graphic Designer:
Carly Mason
Hair Designer:
Sian Grigg
Hairstylist:
Samantha Denyer
Key Hair Stylist:
Tapio Salmi
Key Makeup Artist:
Tapio Salmi
Line Producer:
Alice Dawson
Location Manager:
Matthew Whitney
Makeup Artist:
Samantha Denyer
Makeup Designer:
Sian Grigg
Music Editor:
Dan Evans Farkas
Joe Rubel
Music Supervisor:
Michael Hill
Original Music Composer:
Nico Muhly
Jamie Stewart
Post Production Supervisor:
Matthew Shapiro
Producer:
Iain Canning
Howard Gertler
John Cameron Mitchell
Emile Sherman
Production Coordinator:
Hussain Ahmed
Production Design:
Helen Scott
Production Manager:
Karl Liegis
Production Sound Mixer:
Will Whale
Property Master:
Nick Walker
Prosthetic Makeup Artist:
Chris Fitzpatrick
Screenplay:
Philippa Goslett
John Cameron Mitchell
Script Supervisor:
Janet Kellock
Second Assistant "A" Camera:
Daniel Wombwell
Second Assistant "B" Camera:
Arron Monkman
Second Assistant "C" Camera:
Andrew Bradley
Second Assistant Director:
Jamie D. Allen
Set Decoration:
Hannah Spice
Short Story:
Neil Gaiman
Sound Effects Editor:
Keith Tinman
Sound Re-Recording Mixer:
Brandon Proctor
Lora Hirschberg
Special Effects Supervisor:
Scott McIntyre
Still Photographer:
Dean Rogers
Studio Teacher:
Laura Gary
Stunt Coordinator:
Jo McLaren
Stunt Double:
Neil Chapelhow
Anthony Skrimshire
Supervising Sound Editor:
Gregg Swiatlowski
Benjamin Cheah
Third Assistant Director:
Alex Currie-Clark
Visual Effects Coordinator:
Liz Christofaro
Visual Effects Supervisor:
John Bair
Karl Coyner
Writer:
Neil Gaiman
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.