A work in constant progress (and occasional regress).
Release Date:
December 5, 2018
Original Title:
Ben Is Back
Alternate Titles:
H epistrofi tou mpen
H epistrofi toy mpen
O Retorno de Ben
Regresa a mi
ბენის დაბრუნება
Genres:
Drama
Production Companies:
30WEST
Black Bear Pictures
Color Force
Sierra/Affinity
Production Countries:
United States of America
Ratings / Certifications:
AU: M BE: 12 BR: 14 CA: R CH: 14 DE: 12 DK: 11 ES: 12 FI: K-16 FR: U GB: 15 GR: Κ-12 HK: IIB HU: 16 IE: 15A KR: 15세 이상 관람가 LT: N-13 NL: 12 NO: 15 PL: 12 PT: M/14 RU: 18+ SE: 15|11 US: R
Runtime: 103
19-year-old Ben Burns unexpectedly returns home to his family's suburban home on Christmas Eve morning. Ben's mother, Holly, is relieved and welcoming but wary of her son staying clean. Over a turbulent 24 hours, new truths are revealed, and a mother's undying love for her son is tested as she does everything in her power to keep him safe.
"B" Camera Operator:
Michael Fuchs
ADR Editor:
Gina Alfano
Art Direction:
Andy Eklund
Assistant Costume Designer:
Keia Bounds
Colleen Ehrlich
Assistant Sound Editor:
Filipe Messeder
Associate Producer:
Kirsten Schatz
Bevan Thomas
Boom Operator:
Greg DeCellio
Camera Loader:
Ronnie Wrase
Casting:
Bernard Telsey
Co-Producer:
Joseph P. Reidy
Margaret Chernin
Dianne Dreyer
Gabrielle Mahon
Costume Designer:
Melissa Toth
Dialogue Editor:
Marlena Grzaslewicz
Director:
Peter Hedges
Director of Photography:
Stuart Dryburgh
Editor:
Ian Blume
Executive Producer:
Micah Green
Michael Heimler
Mickey Liddell
Dan Friedkin
Daniel Steinman
Jane Nerlinger Evans
Pete Shilaimon
Ben Stillman
First Assistant "A" Camera:
Stanley Fernandez Jr.
First Assistant "B" Camera:
Johnny Sousa
First Assistant Director:
Joseph P. Reidy
First Assistant Editor:
Tricia Holmes
Foley Artist:
Jay Peck
Foley Editor:
Filipe Messeder
Gaffer:
Jason Velez
Hair Department Head:
Jon Carter
Key Grip:
Rob Harlow
Key Hair Stylist:
Amber Jasmin Morrow
Key Makeup Artist:
Kimberly Amacker
Location Manager:
Robert T. Striem
Makeup Department Head:
Stacey Panepinto
Music Supervisor:
Susan Jacobs
Original Music Composer:
Dickon Hinchliffe
Post Production Coordinator:
Mallory Trice
Post Production Supervisor:
Alexis Wiscomb
Producer:
Peter Hedges
Teddy Schwarzman
Nina Jacobson
Brad Simpson
Production Design:
Ford Wheeler
Production Sound Mixer:
Jan McLaughlin
Property Master:
Michael Cory
Script Supervisor:
Dianne Dreyer
Second Assistant "A" Camera:
Christopher Eng
Second Assistant "B" Camera:
Michael Derario
Second Assistant Director:
John Silvestri
Second Second Assistant Director:
Rachel Jaros
Set Decoration:
Chryss Hionis
Sound Effects Editor:
Glenfield Payne
Sound Mix Technician:
Kevin Peters
Sound Re-Recording Mixer:
Damian Volpe
Roberto Fernández
Steadicam Operator:
Michael Fuchs
Still Photographer:
Mark Schafer
Stunt Coordinator:
Rick Sordelet
Stunt Double:
Shawnna Thibodeau
Stunts:
Blaise Corrigan
Supervising Sound Editor:
Damian Volpe
Title Designer:
Teddy Blanks
Unit Production Manager:
Gabrielle Mahon
Utility Sound:
James B. Appleton
Jose Ochoa
Visual Effects Coordinator:
Sophie-Ann Price
Visual Effects Editor:
Jordan Lindblad
Visual Effects Supervisor:
Mark Russell
Wardrobe Supervisor:
Susan J. Wright
Writer:
Peter Hedges
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.