A work in constant progress (and occasional regress).
Release Date:
April 11, 2018
Original Title:
Detroit 48202: Conversations Along a Postal Route
Genres:
Documentary
Production Companies:
JustFilms / Ford Foundation
Ratings / Certifications:
US: NR
Runtime: 99
"Detroit 48202" examines the rise, demise and contested resurgence of Detroit through the lens of mail carrier Wendell Watkins and the residents he has faithfully served for 30 years. The resilient Detroiters on Wendell’s route share stories of pushing against racial segregation in housing, challenging industrial and political disinvestment and living on reduced pensions as a result of Detroit’s bankruptcy. They also share stories of hope and propose creative ways to re-imagine an inclusive, equitable and productive city. Foregrounding the voices of African-American working class Detroiters, it offers a nuanced and complex understanding of a city at the crossroads.
Assistant Editor:
Jim MacDonald
Assistant Sound Editor:
Matt Rigby
Michael Kurihara
Cinematography:
Tami Gold
Pam Sporn
Colorist:
Jon Fordham
Consulting Editor:
Lewis Erskine
Consulting Producer:
Ann Bennett
Tami Gold
Dialogue Editor:
Marlena Grzaslewicz
Director:
Pam Sporn
Editor:
Kathryn Barnier
Jon Fordham
Intern:
Alexa Ellis
Elizabeth Garrett
Legal Services:
Peter Jaszi
Music:
Tom Phillips
Photo Retouching:
Lelanie Foster
Producer:
Amilca Palmer
Researcher:
Joy Conley
Sound:
Patrick Simpson
Sound Designer:
Mariusz Glabinski
Sound Effects Editor:
Ira Spiegel
Sound Mixer:
Paul Furedi
Visual Effects:
Daniel DeMaggio
William Gardiner
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.