A work in constant progress (and occasional regress).
Birthplace:
Manitoba - Canada
Chad Wiebe joined ILM's Vancouver studio in the fall of 2016 as a Visual Effects Supervisor. Prior to ILM, Wiebe worked at Scanline VFX and Method Studios. His filmography includes over 30 titles, spanning over 15 years. Wiebe began his career in Winnipeg at Frantic Films, currently known as Prime Focus. He spent 11 years with the company, working his way up the ladder from a generalist to Computer Graphics and Digital Effects. Recognized for his progress, Wiebe was promoted to Visual Effects Supervisor in 2008. With an emphasis on destruction and heavy simulation-based effects, Wiebe's work can be seen in the heavy explosion sequences from Swordfish, the slow-motion train battle in Sucker Punch, and the bridge collapse sequence in Final Destination 5. Wiebe has also been recognized for his outstanding visual effects on the oil rig collapse and tornado sequences from Man of Steel. His work can be seen on a number of Marvel's superhero series, including Avengers: Age of Ultron, Doctor Strange, and Thor: Ragnarok. Born in Manitoba, Canada, Wiebe attended Red River College, where he began studying graphic design and illustration. After enrolling in the Advance Diploma Program, he gained the opportunity to include computer animation as a focus. This opportunity not only helped him discover his passion, but it altered his career path from graphic design to the world of visual effects and film. Information above via Wiebe's Industrial Light & Magic official site bio.
3D Supervisor:
2006 Superman Returns
CG Supervisor:
2006 Superman Returns
2008 Journey to the Center of the Earth
2012 Battleship
Digital Effects Supervisor:
2006 Superman Returns
2008 Journey to the Center of the Earth
2009 The Twilight Saga: New Moon
2011 Sucker Punch
2012 Battleship
Pre-Visualization Supervisor:
2006 Poseidon
2006 Superman Returns
2007 Fantastic Four: Rise of the Silver Surfer
2008 Journey to the Center of the Earth
2009 The Twilight Saga: New Moon
2011 Sucker Punch
2012 Battleship
Visual Effects:
2001 Swordfish
2001 Twice Upon a Christmas
2003 The Italian Job
2004 Catwoman
2006 Idlewild
2006 Poseidon
2006 Superman Returns
2007 Fantastic Four: Rise of the Silver Surfer
2008 Journey to the Center of the Earth
2009 The Twilight Saga: New Moon
2011 Sucker Punch
2012 Battleship
Visual Effects Supervisor:
2001 Swordfish
2001 Twice Upon a Christmas
2003 The Italian Job
2004 Catwoman
2006 Idlewild
2006 Poseidon
2006 Superman Returns
2007 Fantastic Four: Rise of the Silver Surfer
2008 Journey to the Center of the Earth
2009 Dragonball Evolution
2009 The Twilight Saga: New Moon
2010 The Twilight Saga: Eclipse
2010 Tooth Fairy
2011 Final Destination 5
2011 Sucker Punch
2012 Battleship
2013 Grudge Match
2013 Man of Steel
2013 Thor: The Dark World
2014 Divergent
2014 Into the Storm
2014 Night at the Museum: Secret of the Tomb
2015 Avengers: Age of Ultron
2016 Doctor Strange
2017 Thor: Ragnarok
2021 Jungle Cruise
2023 Blue Beetle
2023 Fast X
2025 Captain America: Brave New World
2025 Thunderbolts*
Visual Effects Supervisor:
2022 Obi-Wan Kenobi
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.