A work in constant progress (and occasional regress).
Release Date:
May 30, 2003
Original Title:
The Italian Job
Alternate Titles:
Italianska afera
Italijanski posao
Listeía alá Italiká
Mini mini daisakusen
Ogrableniye po-ital'yanski
Phi Vụ Hoàn Hảo
Pohrabuvannya po-italiysʹky
The Italian Job
The Italian Job - Jagd auf Millionen
偷天換日
天羅盜網
Genres:
Action | Crime
Production Companies:
De Line Pictures
Paramount Pictures
Peninsula Films
Senator International
Working Title Films
Production Countries:
France | United Kingdom | United States of America
Ratings / Certifications:
AU: M BE: 16 BR: 12 CH: 12 CZ: 12+ DE: 12 DK: 11 ES: 7 FI: K-16 FR: TP GB: 12A GR: PG HU: 12 IE: 12 IT: T JP: G NL: 12 NO: 12 PL: 12 PT: M/12 RO: 18 RU: 12+ SE: 11 US: PG-13
Runtime: 110
Charlie Croker pulled off the crime of a lifetime. The one thing that he didn't plan on was being double-crossed. Along with a drop-dead gorgeous safecracker, Croker and his team take off to re-steal the loot and end up in a pulse-pounding, pedal-to-the-metal chase that careens up, down, above and below the streets of Los Angeles.
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3D Supervisor:
Matt Broeska
ADR Editor:
Tammy Fearing
ADR Mixer:
Bob Baron
ADR Recordist:
Chris Navarro
ADR Voice Casting:
Barbara Harris
Accountant:
Paul Giorgi
Additional Editing:
Mark Fitzgerald
Additional Music:
T.J. Lindgren
Additional Second Assistant Camera:
Matt Kennedy
Aerial Director of Photography:
Hans Bjerno
Art Department Coordinator:
Beth Bajuk
Art Department Production Assistant:
Kyra Kowasic
Art Direction:
Doug J. Meerdink
Mark Zuelzke
Assistant Accountant:
Rino Bonavita
Assistant Art Director:
Jon Billington
Assistant Camera:
Greg Baldi
Assistant Chief Lighting Technician:
Larry Sushinski
Assistant Director:
Alex Corven Caronia
Assistant Editor:
Jennifer Spenelli
Assistant Location Manager:
Chris Baugh
Assistant Production Coordinator:
Gretel Twombly
Assistant Production Manager:
Stefano Dalla Lana
Assistant Property Master:
Rick Chavez
Assistant Sound Editor:
Victor Ray Ennis
Assistant Unit Manager:
Fabrizio Cerato
Associate Producer:
Lynsey Shmukler Jones
Best Boy Grip:
Jeffrey A. Johnson
Boom Operator:
Raul A. Bruce
CG Supervisor:
Markus Kurtz
CGI Supervisor:
Michael Shand
Camera Loader:
Daniel C. McFadden
Camera Operator:
Brooks P. Guyer
Camera Truck:
Cristiano Sergioli
Carpenter:
Craig Byrom
Casting:
Sheila Jaffe
Casting Assistant:
Tiziana Kinkela
Casting Associate:
Meg Morman
Chief Lighting Technician:
Cory Geryak
Color Timer:
Jim Passon
Compositing Supervisor:
Claas Henke
Conductor:
Pete Anthony
Construction Coordinator:
Michael Diersing
Construction Foreman:
Scott E. Handt
Costume Designer:
Mark Bridges
Costume Supervisor:
John Casey
Costumer:
Holly Davis
Craft Service:
Richard Cody
Creative Director:
Kent Demaine
Dialogue Editor:
Mark Gordon
Digital Compositors:
Jason Booth
Digital Intermediate Colorist:
Michael Eaves
Digital Intermediate Producer:
Hilda Saffari
Director:
F. Gary Gray
Director of Photography:
Wally Pfister
Dolly Grip:
David Pearlberg
Glen Davis
Driver:
Chris Arnold
Editor:
Richard Francis-Bruce
Christopher Rouse
Electrician:
Kevin Cadwallader
Executive Producer:
Tim Bevan
James Dyer
Eric Fellner
Wendy Japhet
Extras Casting:
Jennifer Bender
Extras Casting Assistant:
Anna Bradley
First Assistant Accountant:
Laura J. Fox
First Assistant Camera:
Tiziano Casanova
First Assistant Director:
Doug Metzger
First Assistant Editor:
Paul Carrera
Focus Puller:
Matteo Carlesimo
Foley:
Fred Burke
Foley Artist:
Robin Harlan
Foley Mixer:
Randy K. Singer
Gaffer:
Cristiano Giavedoni
Graphic Designer:
Doreen Austria
Grip:
Jeff Andrus
Hair Designer:
Sterfon Demings
Hairstylist:
Enzo Angileri
Helicopter Camera:
Al Cerullo
Key Costumer:
Christine Orth
Key Grip:
Richard Mall
Key Hair Stylist:
Andrea Jackson
Key Makeup Artist:
Eileen Kastner-Delago
Key Rigging Grip:
Blake Pike
Key Set Production Assistant:
Nicola Marzano
Leadman:
Robert Lucas
Lighting Technician:
Hanoi De La Paz
Line Producer:
Guido Cerasuolo
Location Assistant:
Nicola Catullo
Location Manager:
Billy Arrowood
Location Production Assistant:
Matteo Gottardis
Location Scout:
Katherine Dorrer
Makeup Artist:
Christalee
Donald Mowat
Music Consultant:
Liza Richardson
Music Editor:
Tom Carlson
Music Supervisor:
Kathy Nelson
Julianne Jordan
Musician:
George Doering
Orchestrator:
Elizabeth Finch
Original Film Writer:
Troy Kennedy Martin
Original Music Composer:
John Powell
Painter:
Sandro Ercolini
Payroll Accountant:
David Hickey
Post Production Assistant:
John Dietrick
Post Production Coordinator:
Sarah Ogletree
Post Production Supervisor:
Kiki Morris
Producer:
Donald De Line
Production Accountant:
Tish Johnson
Production Assistant:
Geneviere Anderson
Production Coordinator:
B. Ted Deiker
Production Design:
Charles Wood
Production Executive:
Andrew Gose
Production Manager:
Enrico Ballarin
Production Secretary:
Claudia Cimmino
Production Sound Mixer:
Douglas B. Arnold
Production Supervisor:
Matthew J. Birch
Property Master:
Daniel Bacciu
Propmaker:
Jerry Brooks
Rigging Gaffer:
Charlie McIntyre
Rigging Grip:
Tim Alatorre
Rotoscoping Artist:
Tatjana Bozinovski
Scoring Mixer:
Alan Meyerson
Screenplay:
Donna Powers
Wayne Powers
Script Supervisor:
Rebecca Robertson
Second Assistant Accountant:
Kristine Bochum
Second Assistant Camera:
Giovanni Andreotta
Second Assistant Director:
Brian Steward
Second Company Grip:
Thomas Crawford
Second Second Assistant Director:
Timothy R. Price
Second Unit Director:
Alexander Witt
Kenny Bates
Set Costumer:
Fran Allgood
Set Decoration:
Denise Pizzini
Darlene Salinas
Set Designer:
James R. Bayliss
Set Dresser:
Michael A. Belgrave
Set Medic:
Lynn Johnson
Set Production Assistant:
Hunter Lee Soik
Sound Editor:
Bryan Bowen
Sound Effects Editor:
Michael Kamper
Sound Mixer:
Fernando Ascani
Sound Recordist:
Frank Fleming
Special Effects Coordinator:
Stefano Corridori
Special Effects Supervisor:
Antonio Corridori
Special Effects Technician:
Bart Barber
Stand In:
Bill Cleavelin
Standby Painter:
Andrea Bari
Steadicam Operator:
P. Scott Sakamoto
Still Photographer:
Claudette Barius
Storyboard Artist:
Chris Buchinsky
Stunt Coordinator:
Kenny Bates
Kurt Bryant
Stunt Double:
Joey Box
Monica Staggs
Christopher 'Critter' Antonucci
Stunt Driver:
Ted Barba
Mitchell Dean
Stunts:
Danny Epper
Gloria O'Brien
Steve Kelso
Robin Bonaccorsi
Gene Hartline
Donna Evans
Jeannie Epper
Bob Minor
Lisa Dempsey
Eugene Collier
Barbara Anne Klein
Rick Avery
Shauna Duggins
Troy Robinson
Laura Albert
Henry Kingi
Eliza Coleman
Doug Coleman
Richard Epper
Laurie Creach
Clay Cullen
Tim A. Davison
Eddie Fiola
Kathy Jarvis
Shawn Patrick Lane
Jimmy Ortega
Alessandro Novelli
Jimmy Romano
Scotty Richards
Erik Stabenau
Monica Staggs
Vladimir Tevlovski
Kevin Beard
Bobby Burns
Anthony Cecere
Nicola C. Hindshaw
Rick Miller
Sharon Swainson
Paul E. Short
Jason Ybarra
Keith Woulard
Rex Reddick
Denney Pierce
Scott Waugh
Ty Williams
Supervising ADR Editor:
Christopher T. Welch
Supervising Dialogue Editor:
Mike Szakmeister
Supervising Sound Editor:
Mark P. Stoeckinger
Systems Administrators & Support:
Shawn Wallbridge
Technical Advisor:
John Hakala
Technical Supervisor:
Alessandro Ongaro
Thanks:
Jeff Bowler
Third Assistant Director:
Marco Zanon
Title Designer:
Garson Yu
Transportation Captain:
Shane Greedy
Transportation Co-Captain:
Rich Bennetti
Underwater Director of Photography:
Pete Romano
Unit Manager:
Laura Cappato
Unit Production Manager:
James Dyer
Unit Publicist:
Cid Swank
Utility Sound:
Gail Carroll-Coe
Utility Stunts:
Dean Bailey
Video Assist Operator:
Shane Brott
Visual Effects:
Scott Harper
Chad Wiebe
Visual Effects Compositor:
Sean Devereaux
Visual Effects Coordinator:
Geoffrey Baumann
Visual Effects Editor:
Scott Anderson
Visual Effects Producer:
Sarah Coatts
Visual Effects Production Assistant:
Dave Jacobs
Visual Effects Supervisor:
Cosmas Paul Bolger Jr.
Wardrobe Supervisor:
Catherine Buyse Dian
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.