A work in constant progress (and occasional regress).
Release Date:
May 3, 2006
Original Title:
Poseidon
Alternate Titles:
Le Poséidon
Poseidon: The IMAX Experience
Poseidón
The Poseidon Adventure
ポセイドン:2006
新海神号历险记
Genres:
Action | Adventure | Drama | Thriller
Production Companies:
Irwin Allen Productions
Next Entertainment
Radiant Productions
Synthesis Entertainment
Virtual Studios
Warner Bros. Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M BE: 14 BR: 12 CZ: 15+ DE: 12 DK: 15 FI: K-16 FR: TP|10 GB: 12A|12 GR: PG HU: 16 IE: 12A IT: T KR: 12 MX: B-15 NL: 12 NO: 12 PL: 12 PT: M/12 RU: 12+ SE: 11 US: PG-13
Runtime: 98
A packed cruise ship traveling the Atlantic is hit and overturned by a massive wave, compelling the passengers to begin a dramatic fight for their lives.
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"A" Camera Operator:
Daniel C. Gold
"B" Camera Operator:
Gregory W. Smith
ADR Editor:
Chris Jargo
ADR Supervisor:
Hugh Waddell
Additional Second Assistant Director:
Brendalyn Richard
Additional Sound Re-Recording Mixer:
Brad Sherman
Ager/Dyer:
Danielle Baker
Animation Supervisor:
Dori Arazi
Art Department Assistant:
Megan L. Diaz
Art Department Coordinator:
Lisha Hocking
Art Direction:
Mike Mansbridge
Brad Ricker
Assistant Accountant:
Marci Graber
Assistant Art Director:
Luke Freeborn
Assistant Camera:
Michael S. Endler
Assistant Chief Lighting Technician:
Lonnie S. Gatlin
Assistant Craft Service:
Jerome Zelle
Assistant Editor:
James Durante
Assistant Location Manager:
Justin Healy
Assistant Production Coordinator:
Michael Steinbach
Assistant Property Master:
Duff Miller
Assistant Sound Designer:
Paul Flinchbaugh
Associate Producer:
Barbara Huber
Best Boy Grip:
Paul Schmidt
Boom Operator:
Timothy P. Salmon
CG Supervisor:
Joakim Arnesson
Camera Loader:
Haydn Pazanti
Camera Operator:
Casey Hotchkiss
Carpenter:
Stephen Sturm
Casting:
Janet Hirshenson
Jane Jenkins
Michelle Lewitt
Casting Assistant:
Randee Price
Choreographer:
Miranda Garrison
Co-Art Director:
Kevin Ishioka
Co-Producer:
Chris Briggs
Todd Arnow
Kimberly Miller
Compositing Artist:
Dan Cox
Compositing Supervisor:
Jason Porter
Construction Buyer:
Peter Roderick
Construction Coordinator:
Gary Deaton
Construction Foreman:
Larry Bellantoni
Costume Assistant:
Alix Bannon
Costume Design:
Erica Edell Phillips
Costume Supervisor:
Bob Morgan
Costumer:
Pablo Borges
Craft Service:
Phil Scalisi
Data Wrangler:
Andrew Baggarley
Digital Compositor:
Jeff Heusser
Digital Effects Supervisor:
Pat Conran
Digital Intermediate Colorist:
Jan Yarbrough
Digital Intermediate Producer:
Daphne Dentz
Director:
Wolfgang Petersen
Director of Photography:
John Seale
Dolly Grip:
Audie Aragon
Driver:
Joseph Auger
Editor:
Peter Honess
Electrician:
Tim Bantien
Executive In Charge Of Production:
Mark Scoon
Executive Producer:
Sheila Allen
Kevin Burns
Ben Waisbren
Jon Jashni
Executive Visual Effects Producer:
Guy Botham
Extras Casting:
Mariann H.W. Lee
First Assistant "A" Camera:
Brad Peterman
First Assistant Accountant:
Kenneth LaFayette
First Assistant Camera:
Lee Blasingame
First Assistant Director:
John R. Woodward
First Assistant Editor:
Brett Carroll
Foley Artist:
Alyson Dee Moore
Foley Editor:
Chris Jaeger
Gaffer:
Bob E. Krattiger
Graphic Designer:
Zachary Fannin
Grip:
Anthony Erlandson
Hair Department Head:
Yolanda Toussieng
Hairstylist:
Ketty Gonzalez
I/O Supervisor:
David Zbriger
Key Costumer:
Lisa A. Doyle
Key Grip:
Michael Anderson
Key Hair Stylist:
Kim Santantonio
Key Makeup Artist:
Greg Funk
Key Rigging Grip:
Don Selsor
Lighting Artist:
David Basalla
Lighting Programmer:
Scott Barnes
Lighting Supervisor:
Diana Miao
Lighting Technician:
Eric M. Davis
Location Manager:
Tim Hillman
Makeup Department Head:
Edouard F. Henriques III
Marine Coordinator:
Steven A. Guerrero
Matte Painter:
Alp Altiner
Motion Capture Artist:
Ashley Beck
Music Arranger:
Wolfram de Marco
Music Coordinator:
Rick Fleishman
Music Editor:
Michael K. Bauer
Dick Bernstein
Music Supervisor:
Maureen Crowe
Musician:
Armen Ksajikian
Andrew Shulman
Novel:
Paul Gallico
On Set Dresser:
Giovanni Bianchini
Orchestrator:
Robert Elhai
Original Music Composer:
Klaus Badelt
Painter:
Robert Grbavac
Payroll Accountant:
Debbie Cornett
Post Production Assistant:
Thomas J. Cabela
Post Production Supervisor:
David E. Hall
Pre-Visualization Supervisor:
Chad Wiebe
Producer:
Wolfgang Petersen
Duncan Henderson
Akiva Goldsman
Mike Fleiss
Production Accountant:
Jan Dennehy
Production Assistant:
Randolph Bookman
Production Coordinator:
Susan Dukow
Production Design:
William Sandell
Production Driver:
Knut Kielpinski
Production Executive:
Mark Sonoda
Production Office Coordinator:
Terrence Martin
Production Secretary:
Stacy Solomon
Production Sound Mixer:
David Kelson
Property Master:
Curtis Corbitt
Propmaker:
Ray Maxwell
Props:
John McElroy
Publicist:
Rob Harris
Pyrotechnician:
Roy L. Downey
Rigging Gaffer:
Dennis J. Lootens
Rigging Grip:
Brian Bishop
Roto Supervisor:
Michael Van Eps
Screenplay:
Mark Protosevich
Script Supervisor:
Kerry Lyn McKissick
Sculptor:
Dewaldt Hicks
Second Assistant "B" Camera:
Matt Kennedy
Second Assistant "D" Camera:
John Garrett
Second Assistant Accountant:
Dominique Derrenger
Second Assistant Camera:
Luke Bird Stern
Second Second Assistant Director:
Jeff Bilger
Second Unit Director:
Doug Coleman
Set Costumer:
Cassandra Conners
Set Decoration:
Robert Gould
Set Decoration Buyer:
Lisa Penaranda
Set Designer:
Adrian Gorton
Set Dresser:
David Dunn
Set Dressing Buyer:
Gabriela Ramírez
Set Medic:
Tony Whitmore
Set Painter:
Drew Pierce
Set Production Assistant:
Dan Addelson
Software Engineer:
Robert Minsk
Songs:
Clair Marlo
Sound Designer:
Peter Michael Sullivan
Sound Effects Designer:
Harry Cohen
Sound Effects Editor:
Peter Staubli
Sound Mix Technician:
Ryan Murphy
Sound Re-Recording Mixer:
Gregg Rudloff
Special Effects:
Richard Schwalm
Special Effects Coordinator:
Jim Schwalm
Special Effects Supervisor:
Scott McGowan
Special Effects Technician:
H. Barclay Aaris
Stand In:
Todd Hacker
Standby Painter:
Chris Zimmerman
Steadicam Operator:
Harry K. Garvin
Still Photographer:
Claudette Barius
Storyboard Artist:
Darrin Denlinger
Studio Teacher:
Judith M. Brown
Stunt Coordinator:
Rick Avery
Doug Coleman
Stunt Double:
John Casino
Davey Thompson
Michael Hugghins
Terry Jackson
Matthew Taylor
Regina Bailey
Michele Waitman
Oakley Lehman
Deborah L. Mazor
Gina Mari
Oliver Bailey
Stunts:
Joanna Shelmidine
Bonnie Morgan
Zack Duhame
Gloria O'Brien
Peter Epstein
Keith Campbell
Jeremy Fry
Chris Howell
Eric Frazier
Mickey Giacomazzi
Karin Silvestri
Heidi Moneymaker
Robin Bonaccorsi
Jeannie Epper
Eurlyne Epper
Annie Ellis
Jennifer Caputo
Meegan E. Godfrey
Katie Rowe
Laura Albert
Chino Binamo
Al Goto
James M. Churchman
Jodi Lyn Brockton
Dana Reed
Bridgett Riley
Jane Oshita
Steve Upton
Leigh Hennessy
Richard Lee Warren
Tad Griffith
Theo Kypri
Diana R. Lupo
Nicole Surels
Jane Austin
Joni Avery
Eliza Coleman
Jeff Brockton
Danny Downey
Kurt D. Lott
Kerry Rossall
Lori Seaman
Darlene Ava Williams
Brian Avery
Bob Yerkes
Kofi Elam
Nicola C. Hindshaw
Sonia Izzolena
Chris Palermo
Merritt Yohnka
Helena Barrett
Dane Farwell
Rick Miller
Gilbert Rosales
Cheryl Lawson
Matt Baker
Henry Kingi Jr.
Buck McDancer
Nicole Randall
Zoë Bell
Denney Pierce
Steve Hart
Freddy Bouciegues
John Ashker
Supervising Art Director:
Mark W. Mansbridge
Supervising Sound Editor:
Wylie Stateman
Transportation Captain:
Wayne Stone
Transportation Coordinator:
Russell McEntyre
Unit Production Manager:
Todd Arnow
Utility Stunts:
Heidi Pascoe
Bevin Kaye
Sophia M. Crawford
Richard Epper
Caryn Mower
Lena Baran
Visual Effects Art Director:
Wilson Tang
Visual Effects Coordinator:
Janet L. Earl
Visual Effects Editor:
Michael Gleason
Visual Effects Producer:
Rhonda C. Gunner
Visual Effects Production Assistant:
Ryan Wiederkehr
Visual Effects Production Manager:
Julia Neighly
Visual Effects Supervisor:
Joakim Arnesson
Kim Libreri
Boyd Shermis
Chas Jarrett
John Frazier
Mike Schmitt
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.