A work in constant progress (and occasional regress).
Release Date:
August 6, 2014
Original Title:
Into the Storm
Alternate Titles:
Black Sky
Dans la tempête
Dentro de la tormenta
En el Tornado
En el ojo de la Tormenta
En el ojo de la tormenta
V oku tornáda
В окото на бурята
Шторму назустріч
イントゥ・ザ・ストーム:2014
直闖暴風圈
Genres:
Action | Thriller
Production Companies:
Broken Road Productions
New Line Cinema
RatPac Entertainment
Village Roadshow Pictures
Warner Bros. Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M BE: 16 CH: 12 CZ: 15+ DE: 12 DK: 11 ES: 12 FI: K-12 FR: 12 GB: 12A|12 GR: Κ-12 HU: 16 IE: 12 KR: 12 MX: B-15 NL: 12 NO: 15 PL: 16 PT: M/12 RO: 12 RU: 12+ SE: 11 SK: 12 US: PG-13
Runtime: 89
As a new day begins in the town of Silverton, its residents have little reason to believe it will be anything other than ordinary. Mother Nature, however has other plans. In the span of just a few hours, an unprecedented onslaught of powerful tornadoes ravages Silverton. Storm trackers predict that the worst is still to come, as terrified residents seek shelter, and professional storm-chasers run toward the danger, hoping to study the phenomenon close up and get a once-in-a-lifetime shot.
Additional Camera:
Daniel S. Noga
Art Department Coordinator:
Lindsay Good
Art Direction:
Kirsten Oglesby
Marco Rubeo
Camera Operator:
Kevin D. Hewitt
Peter Rosenfeld
Casting:
Mindy Marin
Casting Assistant:
Marcus Laban
Casting Associate:
Kara Lipson
Construction Coordinator:
Robert J. Carlyle
Costume Design:
Kimberly Adams
Costume Supervisor:
Patty Malkin
Dialogue Editor:
Daniel Saxlid
Digital Effects Supervisor:
Nikos Kalaitzidis
Digital Intermediate:
Walter Volpatto
Director:
Steven Quale
Director of Photography:
Brian Pearson
Editor:
Eric A. Sears
Executive Producer:
Bruce Berman
Richard Brener
Walter Hamada
W. Mark McNair
Dave Neustadter
Jeremy Stein
Foley:
Christopher Moriana
Helicopter Camera:
Steven J. Winslow
Leadman:
Robert Lucas
Location Manager:
Steven F. Hasson
Tom Moisides
Makeup Department Head:
Brigette A. Myre
Music Editor:
Joe Lisanti
Sheri Ozeki
Original Music Composer:
Brian Tyler
Post Production Supervisor:
Darin Read
Producer:
Todd Garner
Production Design:
David Sandefur
Production Supervisor:
Matthew Hirsch
Property Master:
Peter C. Clarke
Publicist:
Tammy Sandler
Script Supervisor:
Lisa McNeil
Dawn Gilliam
Lori Grabowski
Sculptor:
Jason Helton
Second Assistant Camera:
Geoff George
Set Costumer:
Aline Hong
Michelle Hutchins
Michelle Moore
Corey O'Sullivan
Teri Wertman
Set Decoration:
Brana Rosenfeld
Set Designer:
Bria Kinter
Erick Donaldson
Sound Designer:
Christopher Assells
Jon Title
Sound Effects Editor:
Bill R. Dean
Kerry Ann Carmean
Sound Re-Recording Mixer:
Steve Pederson
Brad Sherman
Special Effects Coordinator:
Joe Pancake
Steadicam Operator:
Kevin D. Hewitt
Still Photographer:
Ron Phillips
Stunt Coordinator:
Scott Workman
Bob Brown
Stunt Double:
Marie Fink
Cassandra McCormick
Stunts:
Michael Runyard
Dane Farwell
Zack Duhame
Gaëlle Cohen
Sara Holden
Transportation Coordinator:
Rich Bennetti
Unit Production Manager:
W. Mark McNair
Visual Development:
Aravind Jayaraman
Visual Effects Art Director:
Vanessa Cheung
Visual Effects Editor:
Ray Bushey III
Zack Mazerolle
Joel Thompson
Duncan Rochfort
Mark Edward Wright
Visual Effects Producer:
Carrie Rishel
Doug Oddy
Eric A. Kohler
Jamison Huber
Charlene Eberle Douglas
Dominique Derrenger
Tim T. Cunningham
Visual Effects Supervisor:
Jay Barton
Nordin Rahhali
Simon Stanley-Clamp
Chad Wiebe
Writer:
John Swetnam
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.