Camille Cottin (b. 1978)

Birthplace:
Boulogne-Billancourt, Hauts-de-Seine, France

Born:
December 1, 1978

Camille Cottin is a French actress. Before her career began, she studied in London for five years before returning to France with a perfect command of English, allowing her to teach high school for a while, and she also took acting classes.  She worked on the stage for almost 15 years, alternating between classical and boulevard scenes. She lands small roles in television series and in 2009 joins the theater workshop La Troupe à Palmade. In 2013, she spends a season on the series Pep's, then reveals herself to the general public with the series Connasse. The following year, she joined the cast of the comedy Les Gazelles and found herself starring in Connasse, princess of hearts, a feature film derived from the eponymous series and entirely directed in hidden camera. This film earned her a nomination at the 41st Cesar ceremony.  In 2015, she experienced great critical and commercial success by landing one of the lead roles in the series Ten Percent, created by Fanny Herrero. She continues her rise in France by linking the main roles (Iris and Cigarettes and Hot Chocolate in 2016; Such a mother, such a daughter in 2017) and secondary (Les Fauves in 2018; The Mystery Henri Pick and Two I in 2019). In 2020, she broke through internationally by landing her first major English-language role in the third season of Killing Eve, then in the biopic House of Gucci alongside Lady Gaga, and in 2021 in the American thriller Stillwater. The same year, she participated in the Disney-Pixar Studios film Soul, lending her voice to the character of 22.  In 2018, she joined the 50/50 collective that supports gender equality and diversity in the audiovisual world. She is also part of the 70 celebrities mobilizing at the call of the association Urgence Homophobie and appears in the clip De l'amour. In 2019, she founded Malmö, with Shirley Kohn, a feminist production company.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.