A work in constant progress (and occasional regress).
Release Date:
December 3, 2025
Original Title:
Les enfants vont bien
Alternate Titles:
Le Monde qui nous sépare
Genres:
Drama
Production Companies:
Chi-Fou-Mi Productions
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 111
After many years, Suzanne and her two children unexpectedly show up at the home of her sister Jeanne. It initially looks like Suzanne is tentatively attempting to re-establish a relationship with her sister. But this illusion is shattered with the morning light: Suzanne is gone…
Art Department Assistant:
Loris Buonomano
Assistant Dialogue Editor:
Nelly Boussellier
Assistant Sound Editor:
Nelly Boussellier
Casting:
Sophie Lainé Diodovic
Casting Assistant:
Manon Garnier
Costumer:
Florence Gautier
Dialogue Editor:
Laure-Anne Darras
Director:
Nathan Ambrosioni
Director of Photography:
Victor Seguin
Extras Casting:
Jeanne Millet
First Assistant Camera:
Agathe Dercourt
First Assistant Director:
Lucie Wagner
Foley Artist:
Franck Tassel
Foley Mixer:
Anna Devillaire
Grip:
Axel Auger
Key Makeup Artist:
Emma Franco
Location Scout:
Manuel Tritschler
Music Supervisor:
Pascal Mayer
Steve Bouyer
Paint Coordinator:
Laurence Durlot
Painter:
Jimmy Rousselle
Producer:
Hugo Sélignac
Nicolas Dumont
Property Master:
Gwen Testi
Screenplay:
Nathan Ambrosioni
Script Supervisor:
Julia Colin
Second Assistant Director:
Michaël Ben Hammouda
Set Dresser:
Aurore Huber
Sound Editor:
Alexandre Hecker
Sound Re-Recording Mixer:
Olivier Guillaume
Third Assistant Director:
Nathan Lellouche
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.