A work in constant progress (and occasional regress).
Release Date:
October 9, 2019
Original Title:
Chambre 212
Alternate Titles:
Habitación 212
Pokój 212
Quarto 212
Room 212
Кімната 212
Genres:
Comedy | Drama
Production Companies:
Bidibul Productions
Canal+
Ciné+
Cinémage 14 Développment
Film Fund Luxembourg
France 2 Cinéma
France Télévisions
K-Tiousha
La Banque Postale Image 12
La Banque Postale Image 13
Les Films Pelléas
Philophon
SCOPE Pictures
Wallimage
Production Countries:
Belgium | France | Luxembourg
Ratings / Certifications:
AU: MA15+ BR: 14 FR: U GR: Κ-12 JP: R15+ KR: 18 PT: M/12 RU: 18+
Runtime: 88
After 20 years of marriage, Maria decides to leave her husband. She moves into room 212 at the hotel across the street, with a bird’s-eye view of her apartment, her husband and the life she shared with him. While she wonders if she made the right decision, many of the people in her life offer their opinions on the matter. They intend to let her know, whether she likes it or not, on what proves to be a life-changing evening.
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Art Direction:
Damien Fleury
Casting Director:
Mathieu Telinhos
Co-Producer:
Geneviève Lemal
Lilian Eche
Christel Henon
Costume Design:
Olivier Bériot
Director:
Christophe Honoré
Director of Photography:
Rémy Chevrin
Editor:
Chantal Hymans
Key Hair Stylist:
Jane Milon
Key Makeup Artist:
Fabienne Adam
Makeup Artist:
Marion Chevance
Jean-Christophe Roger
Original Music Composer:
Valérie Deloof
Producer:
Serge Hayat
Philippe Martin
David Thion
Production Design:
Stéphane Taillasson
Screenplay:
Christophe Honoré
Script Supervisor:
Léolo
Set Decoration:
Véronique Sacrez
Thierry Van Cappellen
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.