A work in constant progress (and occasional regress).
Featuring:
Châu Belle Dinh, Williams Belle, Malik Diouf
Written by:
Luc Besson
Philippe Lyon
Julien Seri
Directed by:
Ariel Zeitoun, Julien Seri
Release Date:
April 4, 2001
Original Title:
Yamakasi - Les samouraïs des temps modernes
Alternate Titles:
Yamakasi
Yamakasi - Die Samurai der Moderne
Yamakasi - Les samouraïs des temps modernes
Yamakasi - Storbyens samuraikrigere
Ямакаси
Ямакаси: Новые самураи
因咩差事跳跳跳
Genres:
Action | Crime | Drama
Production Companies:
Canal+
EuropaCorp
Leeloo Productions
Production Countries:
France
Ratings / Certifications:
BE: AL DE: 6 FR: U KR: 15
Runtime: 90
Yamakasi - Les samouraïs des temps modernes is a 2001 French movie written by Luc Besson. It demonstrates the skills of the Yamakasi, a group of traceurs who battle against injustice in the Paris ghetto. They use parkour to steal from the rich in order to pay off medical bills for a kid injured copying their techniques.
Gravity or Police, these guys don't believe in any law. Idolised by the youth of Paris as much as they're hated by the police, they are the Yamakasis, modern samurais. With acrobatic skillfulness and adrenaline pumping belief in their own immortality, they throw themselves out from incredible heights, and jump from roof to roof. Locked doors and "No Trespassing"-signs become irresistible challenges. But one day, whilst mimicking one of the Yamakasi's more dangerous stunts, a young fan gets injured. Only one operation can save the boy, an operation that his family can't afford.
Director:
Ariel Zeitoun
Julien Seri
Director of Photography:
Philippe Piffeteau
Editor:
Yohann Costedoat
Stéphanie Gaurier
Yann Hervé
Claude-France Husson
Célia Lafitedupont
Christine Lucas Navarro
Charlotte Rembauville
Idea:
Charles Perrière
Luc Besson
Original Music Composer:
DJ Spank
Producer:
Virginie Besson-Silla
JoeyStarr
Screenplay:
Luc Besson
Philippe Lyon
Julien Seri
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.