A work in constant progress (and occasional regress).
Camera Operator:
2018 Bachelor Lions
Color Grading:
1971 Bushman
2018 Bachelor Lions
Color Timer:
1971 Bushman
2005 Dominion: Prequel to The Exorcist
2013 Aroused
2018 Bachelor Lions
Colorist:
1968 The Swimmer
1971 Bushman
2004 Searching for Angela Shelton
2005 Dominion: Prequel to The Exorcist
2006 Road House 2: Last Call
2008 Murder.com
2009 The Greatest
2013 Aroused
2013 Gone Missing
2017 Watch the Sky
2018 Bachelor Lions
Digital Colorist:
1968 The Swimmer
1971 Bushman
2000 The In Crowd
2004 Searching for Angela Shelton
2004 The Grudge
2005 Dominion: Prequel to The Exorcist
2005 Hostel
2006 Road House 2: Last Call
2008 Murder.com
2009 The Greatest
2011 Sniper: Reloaded
2013 Aroused
2013 Gone Missing
2017 Watch the Sky
2018 Bachelor Lions
Telecine Colorist:
1968 The Swimmer
1971 Bushman
2000 The In Crowd
2004 Searching for Angela Shelton
2004 The Grudge
2005 Dominion: Prequel to The Exorcist
2005 Hostel
2006 Long Lost Son
2006 Road House 2: Last Call
2008 Murder.com
2009 The Greatest
2011 Sniper: Reloaded
2013 Aroused
2013 Gone Missing
2017 Watch the Sky
2018 Bachelor Lions
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.