A work in constant progress (and occasional regress).
Release Date:
July 18, 2006
Original Title:
Road House 2: Last Call
Genres:
Action | Adventure | Crime | Thriller
Production Companies:
Manyana Films
Metro-Goldwyn-Mayer
Sony Pictures Home Entertainment
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 86
Shane Tanner, the son of a legendary cooler named Dalton, learns that his uncle Nate got beat up by a group of men because he doesn't want to sell his bar, The Black Pelican, to a bunch of drug dealers. To help out his uncle, Shane teams up with local school teacher Beau Hampton, who is a regular at the Black Pelican, and takes down the baddies.
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"A" Camera Operator:
Michael Applebaum
ADR Mixer:
Paul Drenning
ADR Supervisor:
Willy Allen
Additional Second Assistant Camera:
Jonathan Robinson
Art Department Coordinator:
Caleb Guillotte
Art Direction:
Jay Pelissier
Assistant Editor:
Rich Evirs
Assistant Location Manager:
Deven Schruff
Assistant Makeup Artist:
Lauren Thomas
Assistant Production Coordinator:
Jason Reppert
Assistant Property Master:
Jon Graubarth
Best Boy Electric:
Scott Zuchowski
Best Boy Grip:
Mike Bonnett
Boom Operator:
Jimmy Armstrong
Camera Loader:
John Richie
Casting:
Karen Margiotta
Mary Margiotta
Characters:
R. Lance Hill
Chief Lighting Technician:
Sean Finnigan
Co-Producer:
Nick Stamos
Colorist:
Andrew Drapkin
Construction Coordinator:
Bradley Wisham
Costume Assistant:
S. Aimee Helms
Costume Designer:
Beverly Safier
Dialogue Editor:
Stephen M. Galvin
Director:
Scott Ziehl
Director of Photography:
Thomas L. Callaway
Dolly Grip:
Kenny Smith
Editor:
Edgar Burcksen
Executive Producer:
Malcolm Petal
Kimberly Calhoun Boling
Extras Casting:
Elizabeth Coulon
Extras Casting Assistant:
Ryan Glorioso
First Assistant Camera:
Robert Schierer
First Assistant Director:
Michael Amundson
Foley Artist:
Galen R. Senogles
Galen L. Senogles
Cathleen Rowland
Hairstylist:
Theresa A. Fleming
Krystal Kershaw
Key Grip:
Richard Ball
Key Hair Stylist:
Paul Anthony Morris
Key Makeup Artist:
Myke Michaels
Key Set Costumer:
Elaine Varnes
Leadman:
Gustavo Coto
Local Casting:
Sally Allen
Toni Cobb Brock
Location Manager:
Elston Howard III
Makeup Artist:
Robin Mathews
Music Editor:
Drew DeAscentis
Music Supervisor:
Emmit Martin
Online Editor:
Bruce W. Cathcart
Original Music Composer:
Amotz Plessner
Post Production Supervisor:
Larry Ferguson Jr.
Producer:
Yoram Pelman
Production Coordinator:
Nita Wilson
Production Design:
Phil Dagort
Production Sound Mixer:
Richard Schexnayder
Property Master:
Leonard Marchand
Rigging Gaffer:
Chris A. Trosclair
Steven Zieger
Scoring Mixer:
Joseph Magee
Screenplay:
Johnathon Schaech
Richard Chizmar
Miles Chapman
Script Supervisor:
Melinda Taksen
Second Assistant Camera:
Lisa Lengyl
Daniel Tkaczyk
Second Assistant Director:
James Roque Jr.
Second Second Assistant Director:
George Bott
Set Costumer:
Renee Dodson
Set Decoration:
Raymond Pumilia
Set Dresser:
Danny Nick
Danny Maes
Mike Dares
Chris Britt
Sam Lothridge
Sound Effects Editor:
Steve McCarty
Sound Re-Recording Mixer:
Larry Stensvold
Stephen Fitzmaurice
Sound Supervisor:
Sergio Reyes
Special Effects Assistant:
Matt Neel
Doug Scaramuzzo
Special Effects Coordinator:
Robert Vazquez
Special Effects Technician:
Pat Tantalo
Still Photographer:
Patti Perret
Story:
Miles Chapman
Stunt Coordinator:
J.J. Perry
Supervising Sound Editor:
Patrick M. Griffith
Title Designer:
Julio Ferrario
Pamela Green
Unit Production Manager:
Yoram Pelman
Utility Sound:
Jamey Osborne
Utility Stunts:
Sam Hargrave
Patrick Moore
Chuck 'Chaz' Hosack
Sophia M. Crawford
Dennis Keiffer
Jeff Galpin
Karin Silvestri
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.