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The Grudge (2004) [PG-13]

Release Date:
October 22, 2004

Original Title:
The Grudge

Alternate Titles:
Gnyav
Ha-Tina
I Katára
Kletva
Proklyatiye
Proklyattya
โคตรผีดุ
じゅおん
美版咒怨

Genres:
Horror | Mystery | Thriller

Production Companies:
Ghost House Pictures

Production Countries:
United States of America

Ratings / Certifications:
AU: M  BR: 16  CH: 18  CZ: 15+  DE: 16  FR: 12  GB: 15  HU: 12  IE: 15A  KR: 15  NL: 16  PL: 18  PT: M/16  RU: 12+  SE: 15  US: PG-13 

Runtime: 92

It never forgives. It never forgets.

Overview from TheMovieDB

An American nurse living and working in Tokyo is exposed to a mysterious supernatural curse, one that locks a person in a powerful rage before claiming their life and spreading to another victim.

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Additional information:

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Video

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Trailer

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Performers

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Production

3D Supervisor:
Toyokazu Hashimoto

ADR Editor:
Ryan Juggler

ADR Mixer:
Michael J. Fox

ADR Supervisor:
Carin Rogers

Art Direction:
Kyoko Yauchi

Assistant Art Director:
Satoshi Kanda

Assistant Camera:
Shingo Gima

Assistant Chief Lighting Technician:
Hidenori nagata

Assistant Costume Designer:
Eric Earl Aycock

Assistant Makeup Artist:
Dianne Ensor

Best Boy Grip:
Daisuke Akazawa

Casting:
Nancy Nayor
Kelly Wagner

Casting Assistant:
David Bernad

Chief Lighting Technician:
Masao Kanazawa

Co-Producer:
Aubrey Henderson
Michael Kirk
Shintaro Shimosawa

Color Timer:
Mato

Construction Coordinator:
Jun Igarashi

Costume Design:
Shawn-Holly Cookson
Miyuki Taniguchi

Dialogue Coach:
Sean Muramatsu

Dialogue Editor:
Gloria D'Alessandro

Digital Colorist:
Andrew Drapkin

Digital Compositors:
Danny Yoon

Director:
Takashi Shimizu

Director of Photography:
Hideo Yamamoto

Editor:
Jeff Betancourt

Executive In Charge Of Production:
Shannon Gaulding

Executive Producer:
Doug Davison
Joseph Drake
Nathan Kahane
Roy Lee
Carsten H.W. Lorenz

First Assistant Camera:
Kiyoshi Itô

First Assistant Director:
Masanori Adachi

First Assistant Editor:
Yoshie Ishiguro

Foley Artist:
Joan Rowe
Sean Rowe

Foley Mixer:
Darrin Mann

Grip:
Tadashi Yokoyama

Lead Animator:
Aaron Kaminar

Line Producer:
Satoshi Fukushima
Ray Quinlan

Makeup Artist:
Veronica Lorenz
Sachie Munemura

Mixing Engineer:
Robert Fernandez

Music Editor:
Thomas Milano

Music Supervisor:
Darian Pollard

Orchestrator:
Sean McMahon

Original Music Composer:
Christopher Young

Post Production Supervisor:
Jack Schuster

Producer:
Sam Raimi
Robert Tapert
Takashige Ichise

Production Accountant:
Maureen Mottram

Production Assistant:
Jennifer Y. Craig

Production Controller:
Lorita Shepherd

Production Coordinator:
Tobin Adams

Production Design:
Iwao Saitô

Production Manager:
Katsuhiro Ogawa

Production Supervisor:
Ed Licht

Rotoscoping Artist:
James Payfer

Script Supervisor:
Kathleen Thomas

Second Assistant Camera:
Toshitaka Akaike

Second Assistant Director:
Chikara Higami

Set Decoration:
Tatsuo Ozeki

Set Designer:
Katsumi Kaneda

Set Dressing Artist:
Tomoko Asai
Tomoko Asai

Sound Effects Editor:
Richard C. Franklin
Ai-Ling Lee

Sound Mixer:
Kiyoshi Kakizawa

Sound Re-Recording Mixer:
Marti D. Humphrey
Kelly Vandever

Special Effects Assistant:
Yoshitaka Makigi

Special Effects Makeup Artist:
Yûichi Matsui

Special Effects Supervisor:
Shûichi Kishiura

Stand In:
Jennifer M. Barr

Standby Painter:
Kazuya Watahiki

Still Photographer:
Takashi Seida

Stunt Coordinator:
Hideo Saito

Stunt Double:
Shunsuke Gondo

Supervising Sound Editor:
Paul N.J. Ottosson

Telecine Colorist:
Anthony Motta

Thanks:
Izumi Evers

Third Assistant Director:
Makoto Meguro

Translator:
Chiho Asada

Unit Publicist:
Cid Swank

VFX Artist:
Peter Kleinsasser

Visual Effects Coordinator:
Yoshiko Yasuoka

Visual Effects Producer:
Danny Martinez

Visual Effects Supervisor:
Kory Jones

Writer:
Takashi Shimizu
Stephen Susco

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.