A work in constant progress (and occasional regress).
Release Date:
July 24, 2006
Original Title:
Long Lost Son
Genres:
Drama | Mystery | TV Movie
Production Companies:
Christopher Filmcapital
Heartstone Pictures
Regent Entertainment
Production Countries:
United States of America
Ratings / Certifications:
US: PG
Runtime: 88
Fourteen years after her son and estranged husband were presumed lost at sea, Kristen believes she glimpses them in the background of a friend's recent vacation video.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Mixer:
Paul Aronoff
ADR Supervisor:
Bo Bennike
Art Direction:
Tyler B. Robinson
Assistant Accountant:
Suvasa Mantyla
Assistant Director:
Josh 'Holden' Hume
Assistant Production Coordinator:
Jordan Romano
Best Boy Electric:
R. Dustin Sanchez
Best Boy Grip:
Christopher Limpus
Boom Operator:
Aaron Grice
Casting:
Candice Elzinga
Dean E. Fronk
Donald Paul Pemrick
Casting Assistant:
Jennifer Lurey
Catering Head Chef:
John 'Mumbles' Virgil
Co-Producer:
Jeffrey Schenck
Colorist:
Alvaro de Ojeda
Costume Designer:
Oneita Parker
Craft Service:
Carl Lightbourne
Director:
Brian Trenchard-Smith
Director of Photography:
Robert Morris
Driver:
Pamela Williams
Jack Williams
Bill Skippings
Terrance Rodgers
Editor:
John Blizek
Electrician:
Beau Lambert
Richard Botchlet
Oliver Gardiner
Wilphen Turenne
Executive In Charge Of Production:
Rick Short
Executive Producer:
Paul Colichman
J.J. Jamieson
Stephen P. Jarchow
Andreas Hess
James Veres
Rachel Winter
Executive Producer's Assistant:
Brian Goldman
Lorien Gray
First Assistant "B" Camera:
Faith Brewer
First Assistant Camera:
Don Presley
Gayle Hilary
First Assistant Director:
Quentin Whitwell
Foley Artist:
Joe Elvis Always
Foley Mixer:
Lorita de la Cerna
Gaffer:
Eric Forand
Grip:
Oliver Gardiner
Darlington Mutoya
Abelson Richard
Travis Stewart
Key Grip:
Joshua A. Hicks
Legal Services:
Joan Danto
Line Producer:
James R. Rosenthal
Loader:
Marcus Kellum
Location Manager:
Arthur 'Poppi' Smith
Makeup & Hair:
Julia Perez
Marine Coordinator:
Tom Burruss
Music Editor:
Bo Bennike
On Set Dresser:
Zack Smith
Online Editor:
Pete Fausone
Original Music Composer:
David Reynolds
Post Production Supervisor:
S. Costa
Producer:
Sylvia Hess
Producer's Assistant:
Zach DeGregorio
Production Accountant:
Craig Stapleton
Production Consultant:
James Shavick
Production Controller:
Lowell Dean Cox
Production Coordinator:
Brandon Klock
Cassidy Lunnen
Stephen Gurley
Production Design:
Travis Zariwny
Production Executive:
Richard Carroll
Property Master:
Betsy Goslin
Screenplay:
Richard Blade
Script Supervisor:
Kari Montgomery
Second Assistant Director:
Olivia Holmes
Second Assistant Production Coordinator:
Shandeara Musgrove
Second Second Assistant Director:
Julie A. Malcolm
Second Unit Director:
Tom Burruss
Second Unit Director of Photography:
Patrick McGraw
Security:
Lea Astwood
Sound Designer:
Bo Bennike
Sound Mixer:
Mickey McMullen
Sound Re-Recording Mixer:
Chris Haire
Chris Elam
Sound Recordist:
April Tucker
Steadicam Operator:
Nick Gardner
Still Photographer:
Liane Hentscher
Stunt Coordinator:
Rudolf Weber
Stunt Double:
Lori L. Brown
Supervising Sound Editor:
Bo Bennike
Swing:
Raj Valentine
Telecine Colorist:
Andrew Drapkin
Thanks:
Art Stribley
Transportation Captain:
Ryan Kulbaba
Transportation Coordinator:
Ron Mymryk
Visual Effects Supervisor:
Steven M. Blasini
Bennique Blasini
Wardrobe Assistant:
Indira Harris
Wardrobe Supervisor:
Charlotte Kruse
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.