A work in constant progress (and occasional regress).
Alias:
Giancarlo Ganziano
Giancarlo Garziano
Editor:
2009 Ninja Assassin
2014 10,000 Days
2021 South Park: Post COVID
2021 South Park: Post COVID: The Return of COVID
Editorial Consultant:
1999 South Park: Bigger, Longer & Uncut
2009 Ninja Assassin
2014 10,000 Days
2021 South Park: Post COVID
2021 South Park: Post COVID: The Return of COVID
Producer:
1999 South Park: Bigger, Longer & Uncut
2009 Ninja Assassin
2014 10,000 Days
2021 South Park: Post COVID
2021 South Park: Post COVID: The Return of COVID
VFX Editor:
1999 South Park: Bigger, Longer & Uncut
2009 Ninja Assassin
2014 10,000 Days
2017 The Dark Tower
2021 South Park: Post COVID
2021 South Park: Post COVID: The Return of COVID
Visual Effects:
1994 Clear and Present Danger
1999 South Park: Bigger, Longer & Uncut
2009 Ninja Assassin
2014 10,000 Days
2017 The Dark Tower
2021 South Park: Post COVID
2021 South Park: Post COVID: The Return of COVID
Visual Effects Editor:
1994 Clear and Present Danger
1999 South Park: Bigger, Longer & Uncut
2003 Terminator 3: Rise of the Machines
2006 Apocalypto
2006 Scary Movie 4
2009 Ninja Assassin
2011 Captain America: The First Avenger
2012 Journey 2: The Mysterious Island
2012 The Grey
2014 10,000 Days
2016 Alice Through the Looking Glass
2016 The Magnificent Seven
2017 The Dark Tower
2020 The Empty Man
2021 South Park: Post COVID
2021 South Park: Post COVID: The Return of COVID
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.