Mark Levinson

Alias:
Mark A. Levinson
Mark Levison

Mark Levinson is an American director, producer and writer who has also served as an ADR specialist. Prior to his film career, Levinson earned a doctoral degree in particle physics from the University of California, Berkley.

Additional information:

The Search Form


ADR Editor:
1995  Heavyweights
1995  Se7en

ADR Supervisor:
1995  Heavyweights
1995  Se7en
1998  Deep Rising
1999  The Talented Mr. Ripley

Additional Editor:
1995  Heavyweights
1995  Se7en
1998  Deep Rising
1999  The Talented Mr. Ripley
2019  The Bit Player

Dialogue Editor:
1991  Motorama
1995  Heavyweights
1995  Se7en
1998  Deep Rising
1999  The Talented Mr. Ripley
2019  The Bit Player

Director:
1991  Motorama
1993  Prisoner of Time
1995  Heavyweights
1995  Se7en
1998  Deep Rising
1999  The Talented Mr. Ripley
2013  Particle Fever
2019  The Bit Player
2024  The Universe in a Grain of Sand

Producer:
1991  Motorama
1993  Prisoner of Time
1995  Heavyweights
1995  Se7en
1998  Deep Rising
1999  The Talented Mr. Ripley
2013  Particle Fever
2019  The Bit Player
2024  The Universe in a Grain of Sand

Supervising ADR Editor:
1991  Motorama
1993  Prisoner of Time
1995  Heavyweights
1995  Se7en
1997  The Rainmaker
1998  Deep Rising
1999  The Talented Mr. Ripley
2013  Particle Fever
2019  The Bit Player
2024  The Universe in a Grain of Sand

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.