A work in constant progress (and occasional regress).
Release Date:
November 18, 1997
Original Title:
The Rainmaker
Alternate Titles:
El Poder de la Justicia
John Grisham's The Rainmaker
John Grishams Regnmakaren
播雨者
Genres:
Crime | Drama | Thriller
Production Companies:
American Zoetrope
Constellation Films
Douglas/Reuther Productions
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 12 CZ: U DE: 12 FR: 12 GB: 15 GR: 13 KR: 15 NL: 12 SE: 11|15 US: PG-13
Runtime: 135
When Rudy Baylor, a young attorney with no clients, goes to work for a seedy ambulance chaser, he wants to help the parents of a terminally ill boy in their suit against an insurance company. But to take on corporate America, Rudy and a scrappy paralegal must open their own law firm.
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ADR Editor:
Clare C. Freeman
Bruce Lacey
ADR Mixer:
Paul Zydel
Bob Baron
ADR Recordist:
David McDonald
Douglas Murray
ADR Voice Casting:
Barbara Harris
Animal Wrangler:
David Sousa
Apprentice Sound Editor:
Erich Stratmann
Art Department Coordinator:
Phillipa Sledge
Art Direction:
Bob Shaw
Assistant Art Director:
Jeffrey D. McDonald
Assistant Chief Lighting Technician:
Nick Thomas
Assistant Editor:
Megan B. Agosto
Assistant Production Coordinator:
Mads Hansen
Assistant Property Master:
Jeffrey Paul Johnson
Associate Producer:
Gary Marcus
Boom Operator:
Scott Kinzey
Camera Operator:
Paul C. Babin
Casting:
Linda Phillips-Palo
Chief Lighting Technician:
James Plannette
Joe Crowley
Co-Editor:
Melissa Kent
Co-Producer:
Georgia Kacandes
Color Timer:
Phil Hetos
Construction Coordinator:
Jeffrey Schlatter
Construction Foreman:
Thomas Michael Ryan
Costume Assistant:
Susan Thomas
Costume Design:
Aggie Guerard Rodgers
Costume Supervisor:
Winnie D. Brown
Dialogue Editor:
E. Larry Oatfield
David A. Cohen
Dianna Stirpe
Director:
Francis Ford Coppola
Director of Photography:
John Toll
Dolly Grip:
Jeff Kunkle
Editor:
Barry Malkin
Extras Casting:
Christopher Gray
Extras Casting Assistant:
Jason White
First Assistant Camera:
Mike Thomas
First Assistant Director:
Gary Marcus
First Assistant Sound Editor:
Roy Waldspurger
First Company Grip:
Ben Beaird
Foley Artist:
Alicia Stevenson
Dawn Fintor
Foley Editor:
Tim O'Shea
Foley Mixer:
David Betancourt
Greensman:
David Becton
Grip:
David Leonard
Darryl Wilson
Hairstylist:
Patricia Grande
Arturo Rojas
Key Set Costumer:
Jennifer Jobst
Leadman:
Jeffrey Kushon
Location Manager:
Scott Elias
Makeup Artist:
Lois Burwell
Whitney James
Music Editor:
Kathy Durning
Negative Cutter:
Theresa Repola Mohammed
Novel:
John Grisham
Orchestrator:
Emilie A. Bernstein
Original Music Composer:
Elmer Bernstein
Producer:
Michael Douglas
Fred Fuchs
Steven Reuther
Francis Ford Coppola
Production Coordinator:
Laura Tateishi
Production Design:
Howard Cummings
Production Supervisor:
Katherine E. Beyda
Property Master:
Eugene McCarthy
Prosthetics:
Gary Archer
Screenplay:
Francis Ford Coppola
Michael Herr
Second Assistant Camera:
Chris Toll
Second Assistant Director:
David Kelley
Second Unit Director:
Roman Coppola
Second Unit Director of Photography:
Robert D. Yeoman
Second Unit First Assistant Director:
Michael Amundson
Set Costumer:
Eileen McCahill
Daniela Moore
Set Decoration:
Barbara Munch
Set Designer:
Scott P. Murphy
Sound Effects Editor:
Kim B. Christensen
Jennifer L. Ware
Sound Mixer:
Nelson Stoll
Sound Re-Recording Mixer:
Mark Berger
Michael Semanick
Special Effects Coordinator:
Guy Clayton
Still Photographer:
Phillip V. Caruso
Storyboard Artist:
Brick Mason
Stunt Coordinator:
Jack Gill
Stunts:
Andy Gill
Richard Drown
Steve Picerni
Scott Wilder
Barbara Anne Klein
Supervising ADR Editor:
Mark Levinson
Supervising Sound Editor:
Michael Kirchberger
Title Designer:
Wayne Fitzgerald
Transportation Captain:
Lee Stepp
Transportation Coordinator:
Dennis W. Milliken
Unit Production Manager:
Georgia Kacandes
Unit Publicist:
Kathy Orloff
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.