Home

The Talented Mr. Ripley (1999) [R]

Release Date:
December 25, 1999

Original Title:
The Talented Mr. Ripley

Alternate Titles:
Den talentfulle mr. Ripley
El Talentoso Sr. Ripley
The Strange Mr. Ripley
Ο Ταλαντούχος κος Ρίπλεϊ
السيد ريبلي الموهوب
天才瑞普利
리플리

Genres:
Crime | Drama | Thriller

Production Companies:
Mirage Enterprises
Timnick Films

Production Countries:
United States of America

Ratings / Certifications:
AU: M  BR: 14  CH: 16  CZ: 15+  DE: 12  ES: 12  FR: U  GB: 15  GR: 16  HU: 16  IE: 15  IT: NR  JP: G  KR: 18  NL: 16  NO: 15  PL: 16  PT: M/12  SE: 15  US: R 

Runtime: 140

How far would you go to become someone else.

Overview from TheMovieDB

Tom Ripley is a calculating young man who believes it's better to be a fake somebody than a real nobody. Opportunity knocks in the form of a wealthy U.S. shipbuilder who hires Tom to travel to Italy to bring back his playboy son, Dickie. Ripley worms his way into the idyllic lives of Dickie and his girlfriend, plunging into a daring scheme of duplicity, lies and murder.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

"A" Camera Operator:
John Seale

"B" Camera Operator:
Daniele Massaccesi

ADR Editor:
Richard Quinn

ADR Supervisor:
Mark Levinson

Art Department Assistant:
Sabina Lepri

Art Direction:
Stefano Maria Ortolani

Assistant Art Director:
Alessandro Alberti

Assistant Set Decoration:
Raffaella Giovannetti
Francesco Postiglione

Associate Producer:
Steve E. Andrews

Boom Operator:
Donald Banks

Casting:
David Rubin
Shaila Rubin
Sarah Beardsall

Casting Associate:
Ronna Kress

Co-Producer:
Paul Zaentz
Lydia Dean Pilcher

Costume Design:
Ann Roth
Gary Jones

Dialect Coach:
Tim Monich

Dialogue Editor:
Barbara McBane
Dianna Stirpe

Director:
Anthony Minghella

Director of Photography:
John Seale

Editor:
Walter Murch

Executive Producer:
Sydney Pollack

First Assistant Director:
Gianni Arduini

Gaffer:
Morris Flam

Graphic Designer:
Miraphora Mina

Hair Department Head:
Kay Georgiou

Hair Designer:
Paolo Mantini

Hairstylist:
Elisabetta De Leonardis
Giorgio Gregorini

Key Grip:
James McMillan

Line Producer:
Alessandro von Norman

Location Manager:
Antonio Gabrielli

Makeup Artist:
Alessandra Sampaolo

Makeup Department Head:
Tina Earnshaw

Makeup Effects:
Fabrizio Sforza

Music Editor:
Robert Randles

Music Supervisor:
Graham Walker

Novel:
Patricia Highsmith

Original Music Composer:
Gabriel Yared

Producer:
Tom Sternberg
William Horberg

Production Design:
Roy Walker

Property Master:
Bernie Hearn

Screenplay:
Anthony Minghella

Script Supervisor:
Dianne Dreyer

Second Assistant Director:
Enrico Marrari

Set Decoration:
Bruno Cesari

Set Dresser:
Jeffrey Rollins

Sound Effects Editor:
Kyrsten Mate
Jennifer L. Ware

Sound Mixer:
Ivan Sharrock

Sound Re-Recording Mixer:
David Parker
Walter Murch
Mark Berger

Special Effects Coordinator:
Sam Conway
Giancarlo Mancini

Special Effects Supervisor:
Richard Conway

Steadicam Operator:
Daniele Massaccesi

Still Photographer:
Phil Bray

Storyboard Artist:
Tony Wright

Stunt Coordinator:
Franco Maria Salamon

Stunts:
Claudio Pacifico
Stefano Maria Mioni
David Ambrosi
Alessandro Ponti

Supervising Art Director:
John Fenner

Supervising Sound Editor:
Pat Jackson

Third Assistant Director:
Maria De Leo
Federica Ciciarelli
Filippo Fassetta

Title Designer:
Deborah Ross

Unit Production Manager:
Lynn Kamern

Unit Publicist:
Larry Kaplan

Visual Effects Supervisor:
Dennis Lowe

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.