A work in constant progress (and occasional regress).
Birthplace:
London, England
Born:
February 21, 1942
Died:
February 13, 2023
Oliver Wood (21 February 1942–13 February 2023) was a British cinematographer, best known for his work on blockbuster action and comedy films such as Die Hard 2, Face/Off, Freaky Friday, Talladega Nights: The Ballad of Ricky Bobby, and the Bourne franchise. He collaborated with directors like Paul Greengrass, John Woo, Renny Harlin, Ron Underwood, and Adam McKay and was nominated for a BAFTA Award for Best Cinematography for The Bourne Ultimatum. Wood was born in London on 21 February 1942. At the age of 19, he moved to New York City. His first break came for director Leonard Kastle on the cult crime film The Honeymoon Killers (1969), where he used available light to give the dark comedy a newsreel look. He shot numerous B-movies and independent films throughout the late 1970s and 1980s, frequently collaborating with cinematographers Joseph Mangine and Fred Murphy. He also worked as a camera operator on higher-profile projects, including Body Rock (1984) and To Live and Die in L.A. (1985), both of which were shot by Robby Müller. He also became a music video and commercial cinematographer, working for directors like Bob Giraldi and Rupert Wainwright.[9] His big break came when he was director of photography for 53 episodes of the stylish crime drama Miami Vice, serving as the series primary DP between 1987 and 1989. His work on the series caught the attention of producers, enabling him to work on big-budget Hollywood films including Die Hard 2 (1990), Face/Off (1997), U-571 (2000), Fantastic Four (2005), and Anchorman 2: The Legend Continues (2013). He was the original director of photography on the swashbuckling action film Cutthroat Island but suffered an on-set injury and was replaced by Peter Levy. He also shot the Bourne Trilogy, where he worked with director Paul Greengrass to produce a spontaneous, naturalistic effect, often using multiple cameras, frequently handheld, citing films such as The Battle of Algiers as an influence. He was nominated for a BAFTA for The Bourne Ultimatum (2007). In 2016, Wood shot the remake of Ben-Hur, directed by Timur Bekmambetov, utilising GoPro cameras to film the movie's action sequences. His last credit was for Morbius (2022). Wood died from cancer at his home in Los Angeles, California, on 13 February 2023 at the age of 80. He is survived by his wife, Sabina Groh; his daughters, Katharine Wood and Fiona Wood; and his son, Emerson Forth. Description above from the Wikipedia article Oliver Wood, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Additional Photography:
1982 Q
Cinematography:
1969 Popdown
1977 Danny
1978 Feedback
1982 Q
Director of Photography:
1969 Popdown
1969 The White Slave
1970 The Honeymoon Killers
1977 Danny
1978 Feedback
1979 Don't Go in the House
1982 Q
1983 The Returning
1984 Alphabet City
1985 The Sex O'Clock News
1986 Neon Maniacs
1987 Nasty Hero
1989 Miami Vice: Freefall
1990 Die Hard 2
1990 The Adventures of Ford Fairlane
1991 Bill & Ted's Bogus Journey
1991 Mystery Date
1993 For Love or Money
1993 Rudy
1993 Sister Act 2: Back in the Habit
1994 Terminal Velocity
1995 Mr. Holland's Opus
1996 2 Days in the Valley
1996 Celtic Pride
1997 Face/Off
1997 Switchback
1998 Mighty Joe Young
2000 U-571
2002 I Spy
2002 The Adventures of Pluto Nash
2002 The Bourne Identity
2003 Freaky Friday
2003 National Security
2004 Scooby-Doo 2: Monsters Unleashed
2004 The Bourne Supremacy
2005 Fantastic Four
2006 Talladega Nights: The Ballad of Ricky Bobby
2007 The Bourne Ultimatum
2008 Step Brothers
2009 Surrogates
2010 The Other Guys
2012 Safe House
2013 2 Guns
2013 Anchorman 2: The Legend Continues
2015 Child 44
2016 Ben-Hur
2016 Grimsby
2016 Jack Reacher: Never Go Back
2018 Holmes & Watson
2018 The Equalizer 2
2022 Morbius
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.