A work in constant progress (and occasional regress).
Release Date:
October 1, 1993
Original Title:
For Love or Money
Alternate Titles:
Amore senza interessi
For pengenes skyld
Kär i karriären
Por amor o por dinero
The Concierge
Z lásky nebo pro peníze
Консьєрж
Genres:
Comedy | Romance
Production Companies:
Imagine Entertainment
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: PG DE: 6 DK: A FR: U US: PG
Runtime: 94
New York concierge Doug Ireland wants to go into business for himself and refurbish a hotel on Roosevelt Island, N.Y., but he needs an investor. With a few weeks left before his option on the site runs out, Doug agrees to help wealthy Christian Hanover conceal his affair with salesgirl Andy Hart from his wife. Despite his own attraction to Andy, Doug tries to stay focused on getting Christian to invest $3 million in his project.
ADR Editor:
Marissa Littlefield
Kenton Jakub
ADR Supervisor:
Gail Showalter
Art Department Coordinator:
Julia G. Hickman
Art Direction:
Charley Beal
Assistant Art Director:
Chris Shriver
Assistant Costume Designer:
David C. Robinson
Assistant Editor:
Cara Silverman
Assistant Hairstylist:
Ralph Stanzione
Assistant Makeup Artist:
Paul Gebbia
Best Boy Electric:
Ken Connors
Best Boy Grip:
Billy Patsos
Boom Operator:
John Fundus
T.J. O'Mara
Cableman:
Steve Scanlon
Camera Operator:
Anthony Jannelli
Camera Trainee:
Patrick B. O'Brien
Casting:
John S. Lyons
Casting Associate:
Christine Sheaks
Chief Lighting Technician:
Russell Engels
Co-Producer:
Graham Place
Costume Design:
Susan Lyall
Dialogue Editor:
Laura Civiello
Robert Hein
Director:
Barry Sonnenfeld
Director of Photography:
Oliver Wood
Dolly Grip:
Ed Quinn
Editor:
Jim Miller
Executive Producer:
David T. Friendly
First Assistant Camera:
Angelo Di Giacomo
First Assistant Director:
Mark McGann
First Assistant Editor:
Suzanne Pillsbury
Foley Artist:
Marko Costanzo
Foley Editor:
Frank Kern
Eliza Paley
Steven Visscher
Foley Supervisor:
Bruce Pross
Hairstylist:
Rick Provenzano
Key Grip:
George Patsos
Key Hair Stylist:
Francesca Paris
Key Makeup Artist:
Bernadette Mazur
Makeup Artist:
Bron Roylance
Music Editor:
James Flatto
Patricia Carlin
Music Supervisor:
Alex Steyermark
Original Music Composer:
Bruce Broughton
Post Production Supervisor:
Kerry Orent
Producer:
Brian Grazer
Production Coordinator:
Pamela Hochschartner
Production Design:
Peter S. Larkin
Property Master:
William F. Reynolds
Screenplay:
Mark Rosenthal
Lawrence Konner
Script Supervisor:
Mary Bailey
Second Assistant Camera:
Liz Dubelman
Second Assistant Director:
Julie A. Bloom
Set Decoration:
Leslie E. Rollins
Sound Effects Editor:
Ron Bochar
Eugene Gearty
Sound Mixer:
Peter F. Kurland
Sound Re-Recording Mixer:
Lee Dichter
Steadicam Operator:
Rick Raphael
Still Photographer:
Andrew D. Schwartz
Stunt Coordinator:
Charles Croughwell
Stunts:
Jennifer Lamb
Mick O'Rourke
Sunnie Merrill
Gregg Smrz
Supervising Dialogue Editor:
Philip Stockton
Supervising Sound Editor:
Skip Lievsay
Unit Production Manager:
Chris Brigham
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.