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Bruno Seznec (b. 1965)

Birthplace:
France

Born:
March 25, 1965

Additional information:

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Film Performances

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Film Production

Producer:
2007  Under the Bombs
2017  Ernest & Celestine's Winter

Recording Supervision:
2007  Under the Bombs
2012  Ernest & Celestine
2017  Ernest & Celestine's Winter

Sound:
1993  For Better and for Worse
1994  Girls with Guns
2006  U
2007  Under the Bombs
2012  Ernest & Celestine
2017  Ernest & Celestine's Winter
2018  MILF
2023  Under the Rainbow

Sound Mixer:
1993  For Better and for Worse
1994  Girls with Guns
2006  U
2007  Under the Bombs
2011  The Assault
2011  The Painting
2012  Ernest & Celestine
2017  Ernest & Celestine's Winter
2018  MILF
2023  Under the Rainbow

Sound Post Supervisor:
1993  For Better and for Worse
1994  Girls with Guns
2006  U
2007  La consultation
2007  Under the Bombs
2011  The Assault
2011  The Painting
2012  Ernest & Celestine
2017  Ernest & Celestine's Winter
2018  MILF
2023  Under the Rainbow

Sound Supervisor:
1993  For Better and for Worse
1994  Girls with Guns
2006  U
2007  La consultation
2007  Under the Bombs
2010  Sarah's Key
2011  The Assault
2011  The Painting
2012  Ernest & Celestine
2016  The Red Turtle
2017  Ernest & Celestine's Winter
2018  Bad Seeds
2018  In the Game
2018  MILF
2018  The Bouncer
2018  Through the Fire
2019  Backdraft 2
2019  Murder Me, Monster
2019  The Vets
2020  Josep
2022  Forever Young
2022  Maestro(s)
2023  The Astronaut
2023  Under the Rainbow

Click the heading above to show or hide the list.

TV Production

Sound Designer:
2006  Pop Secret

Sound Supervisor:
2006  Pop Secret
2018  Insoupçonnable

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.