A work in constant progress (and occasional regress).
Release Date:
January 1, 1993
Original Title:
For Better and for Worse
Alternate Titles:
Say I Do
Genres:
Comedy | TV Movie
Production Companies:
CNC
Canal+
Chrysalide Film
M6
RTBF
The Movie Group
Production Countries:
Belgium | Canada | France | United States of America
Ratings / Certifications:
N/A
Runtime: 87
The Pope accepts when the friend of a young engaged couple jokingly sends him a wedding invitation.
Art Direction:
Bertrand Seitz
Assistant Unit Manager:
Vincent Dachet
Boom Operator:
Bertrand Come
Jean-Marie Blondel
Casting:
Nicole-Agnès Cottet
Clapper Loader:
Muriel Coulin
Continuity:
Claudine Grellier-Duhalde
Costume Design:
Valérie Pozzo di Borgo
Director:
Paolo Barzman
Director of Photography:
Yves Dahan
Editor:
Véronique Parnet
First Assistant Director:
Pablo Fréville
Focus Puller:
Patrick Berau
Foley Artist:
Jean-Pierre Lelong
Gaffer:
Youcef Djenaoui
Hairstylist:
Paul de Fisser
Key Grip:
Michel Venot
Key Makeup Artist:
Clarisse Domine
Location Manager:
Sophie Quiédeville
Orchestrator:
Hubert Bougis
Original Music Composer:
John Goldstein
Post Production Supervisor:
Gerard Savary
Producer:
Monique Annaud
Production Driver:
Jonathan Ross
Production Manager:
Gilles Sacuto
Property Master:
Laurent Saimond
Publicist:
Vanessa Jerrom
Second Assistant Camera:
Agnès Letessier
Second Assistant Director:
Douglas Law
Sound:
Bruno Seznec
Sound Editor:
Vera Memmi
Jean-Marc Lentretien
Sound Engineer:
Roger Di Ponio
Daniel Brisseau
Sound Mixer:
Eric Ferret
Sound Re-Recording Mixer:
Dominique Schmit
Still Photographer:
Martine Peccoux
Stunt Coordinator:
Patrick Cauderlier
Third Assistant Director:
Jonathan Ross
Translator:
Jonathan Ross
Unit Production Manager:
Sophie Quiédeville
Wardrobe Master:
Marylin Fitoussi
Writer:
Tony Gilroy
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.