A work in constant progress (and occasional regress).
Release Date:
November 21, 2018
Original Title:
Mauvaises herbes
Alternate Titles:
Mikres apates
Sementes Podres
Wilde Kräuter
Genres:
Comedy
Production Companies:
Mars Films
StudioCanal
paiva films
Production Countries:
France
Ratings / Certifications:
BR: 16 CH: 12 DE: 16 PL: 16
Runtime: 100
Wael, a former street child, makes a living from small scams with his adoptive mother and partner-in-crime Monique. When this unconventional duo swindles the wrong guy, Victor, an old acquaintance of Monique now in charge of a support organization for troubled teens, they have no choice but to become his interim secretary and educator in order to redeem themselves.
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Art Direction:
Arnaud Denis
Mobsitte Saad
Casting:
Adélaïde Mauvernay
Hossein Sabir
Co-Producer:
Adrian Politowski
Nadia Khamlichi
Bastien Sirodot
Costume Design:
Karen Muller Serreau
Digital Compositor:
Colin Ramon
Natacha Brohan
Tristan Lilien
Director:
Kheiron
Director of Photography:
Jean-Paul Agostini
Editor:
Anny Danché
Executive Producer:
Cloé Garbay
Antoine Stioui
Frantz Richard
First Assistant Director:
Gabriel Levy
Hamza Boumalki
Key Hair Stylist:
Jean-Jacques Puchu
Key Makeup Artist:
Lucía Bretones-Méndez
Music Supervisor:
Hubert Cornet
Producer:
Simon Istolainen
Production Design:
Stanislas Reydellet
Script Supervisor:
Émilie Delaunay
Set Decoration:
Cécilia Blom
Hind Ghazali
Sound Mixer:
Frédéric de Ravignan
Sound Re-Recording Mixer:
Fabien Devillers
Sound Supervisor:
Bruno Seznec
Special Effects Makeup Artist:
Frédéric Balmer
Alexis Kinebanyan
Stunt Coordinator:
Emmanuel Lanzi
Stunt Double:
Marc David
Stunts:
Stéphane Boulay
Rémi Canaple
Jean-Jacques Domingues
Supervising Sound Editor:
Alexandre Fleurant
Louis Collin
Writer:
Kheiron
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.