A work in constant progress (and occasional regress).
JoAnne R. Sellar is an English film producer. She married Daniel Lupi and they worked on Paul Thomas Anderson's films. Sellar was nominated for an Academy Award for Best Picture for the films There Will Be Blood and Phantom Thread, both of which she co-produced.
Co-Producer:
1990 Red Hot + Blue: A Tribute to Cole Porter
Executive Producer:
1990 Red Hot + Blue: A Tribute to Cole Porter
2006 The Wicker Man
2021 Licorice Pizza
Producer:
1990 Hardware
1990 Red Hot + Blue: A Tribute to Cole Porter
1992 Dust Devil
1995 Lord of Illusions
1997 Boogie Nights
1999 Magnolia
2001 The Anniversary Party
2002 Punch-Drunk Love
2006 The Wicker Man
2007 There Will Be Blood
2012 Dark Blood
2012 The Master
2014 Inherent Vice
2017 Phantom Thread
2021 Licorice Pizza
???? Stone Mattress
???? Tuner
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.