Molly Parker (b. 1972)

Alias:
مولی پارکر

Birthplace:
Maple Ridge, British Columbia, Canada

Born:
June 30, 1972

Molly Parker (born June 30, 1972) is a Canadian actress. She garnered critical attention for her portrayal of a necrophiliac medical student in the controversial drama Kissed (1996). She subsequently starred in the television thriller Intensity (1997) before landing her first major American film role in the drama Waking the Dead (2000). She gained further notice for her role as a Las Vegas escort in the drama The Center of the World (2001), for which she was nominated for the Independent Spirit Award for Best Female Lead.  In the early 2000s, Parker had lead roles in several films, including Max (2002), Pure (2002), and Nine Lives (2005). Beginning in 2004, she starred as Alma Garret on the HBO Western series Deadwood, appearing in all three seasons. She subsequently appeared in the post-apocalyptic thriller The Road (2009), and the independent drama Trigger (2010). In 2011, she appeared as a recurring guest star in the sixth season of Dexter, before being cast as politician Jacqueline Sharp on the Netflix series House of Cards in 2014. The role earned Parker a nomination for the Primetime Emmy Award for Outstanding Guest Actress in a Drama Series.  Her subsequent film roles include the drama American Pastoral (2016) and two Netflix-produced features: the crime drama Small Crimes, and the Stephen King adaptation 1922 (both 2017). She also starred in Errol Morris's docudrama miniseries Wormwood. From 2018 to 2021, she starred as Maureen Robinson in Lost in Space, a Netflix-produced remake of the 1965 TV series.  Description above from the Wikipedia article Molly Parker, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Additional information:

The Search Form


Director:
2017  Bird

Executive Producer:
2002  Looking for Leonard
2017  Bird

Writer:
2002  Looking for Leonard
2017  Bird

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.