A work in constant progress (and occasional regress).
Alias:
Elsa Viveca Torstensdotter Lindfors
Birthplace:
Uppsala, Uppsala län, Sweden
Born:
December 29, 1920
Died:
October 25, 1995
Viveca Lindfors (1920-1995) was a renowned Swedish-American actress known for her versatility and captivating performances on stage, in film, and on television. Born in Uppsala, Sweden, Lindfors developed a passion for the performing arts from a young age, honing her craft at the prestigious Royal Dramatic Theatre in Stockholm. In 1946, Lindfors was brought to Hollywood by Warner Brothers in the hope that she would become a new Greta Garbo or Ingrid Bergman - two of Sweden's most famous cinematic exports. This marked the beginning of a prolific international career that would span several decades. Lindfors went on to appear in a wide range of acclaimed films, including the film noir classic "I'll Cry Tomorrow" and the psychological thriller "The Addams Family." Beyond her on-screen work, Lindfors was also a respected theater actress, garnering critical acclaim for her portrayals of iconic roles such as Hedda Gabler and Medea. Her versatility and emotional depth were widely praised, and she was known for her ability to bring nuance and complexity to even the most challenging characters. In addition to her acting work, Lindfors was also a dedicated educator and mentor, sharing her expertise and passion for the performing arts with aspiring actors and directors. She taught at several prestigious institutions, including the Actors Studio in New York, and was instrumental in nurturing the next generation of theatrical talent. Throughout her career, Lindfors received numerous accolades and honors, including a Primetime Emmy Award for her performance in the television film "Testimony of Two Men." She was also recognized with a Lifetime Achievement Award from the Swedish Film Institute, cementing her status as one of the most respected and influential Swedish actors of the 20th century.
Director:
1987 Unfinished Business
Writer:
1987 Unfinished Business
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.