A work in constant progress (and occasional regress).
Alias:
Stephane Bidault
Digital Compositors:
1996 Mission: Impossible
Effects Supervisor:
1996 Mission: Impossible
2003 I Dieci Comandamenti Il Musical
VFX Supervisor:
1996 Mission: Impossible
2003 I Dieci Comandamenti Il Musical
2012 HOUBA! On the Trail of the Marsupilami
Visual Effects:
1996 Mission: Impossible
2003 High Tension
2003 I Dieci Comandamenti Il Musical
2012 HOUBA! On the Trail of the Marsupilami
Visual Effects Director:
1996 Mission: Impossible
2003 High Tension
2003 I Dieci Comandamenti Il Musical
2012 HOUBA! On the Trail of the Marsupilami
2015 Cosmos
2015 Peter & Wendy
2016 In Bed with Victoria
2017 Ugly Nasty People
2020 Mother at War
2021 Bigger Than Us
2021 Black Box
2022 The Biggest Fan
2022 The Night of the 12th
2022 Undercover
2023 Schlitter: Evil in the Woods
2023 Sweet Sixty
2024 Black Tea
2025 The 4th Wall
Visual Effects Supervisor:
1996 Mission: Impossible
2003 High Tension
2003 I Dieci Comandamenti Il Musical
2004 36th Precinct
2008 Mirrors
2008 Vinyan
2009 The Sea Wall
2010 Point Blank
2011 The Injection
2012 HOUBA! On the Trail of the Marsupilami
2013 A Promise
2013 Abuse of Weakness
2013 Victor Young Perez
2014 Alleluia
2014 Once in a Lifetime
2014 Timbuktu
2015 Cosmos
2015 Peter & Wendy
2016 In Bed with Victoria
2017 Ugly Nasty People
2018 Cyrano, My Love
2018 Rolling to You
2020 Mother at War
2021 Bigger Than Us
2021 Black Box
2021 The Book of Vision
2022 The Biggest Fan
2022 The Night of the 12th
2022 Undercover
2023 Les Indésirables
2023 Schlitter: Evil in the Woods
2023 Sweet Sixty
2024 Black Tea
2025 The 4th Wall
Visual Effects Director:
2015 Witnesses
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.